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From the Early 20th

Andrew Rangell (piano)

From the Early 20th
For the Ives, Rangell again accentuates the lyrical side, taking the edge offsome of the mania. While both Aimard and Hamelin are if anything too assured, Rangell offers a different contextualisation....

From the Early 20th

Andrew Rangell (piano)

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For the Ives, Rangell again accentuates the lyrical side, taking the edge offsome of the mania. While both Aimard and Hamelin are if anything too assured, Rangell offers a different contextualisation....

About

Andrew Rangell writes: “Charles Ives’ Concord Sonata, whose monumental cussedness, tenderness, and imaginative daring epitomize the character and gifts of its Yankee creator, emerged, not easily, into the world one century ago. Ives’ final work for piano, it contains multitudes. To adorn this centerpiece, Andrew Rangell has chosen the final, and stellar, piano pieces of Arnold Schoenberg and Carl Nielsen, European contemporaries who (like Ives) spoke their minds… Lastly, Enescu’s Carillon Nocturne, written at the same time as Ives’ sonata, is for me a mystical parallel to the Concord meditation called Thoreau.” Long recognized as among our most eloquent and insightful interpreters of the major keyboard works of Bach and Beethoven, pianist Andrew Rangell has drawn acclaim for a variety of recordings. The present recording (Mr. Rangell’s 30th) can be considered a counterpart, and complement, to his 2009 Bridge recording of Ives’ First Piano Sonata, Nielsen’s Op. 45 Suite, and John McDonald’s Meditation Before a Sonata, a beautiful homage to Ives’ Concord.

Contents and tracklist

No. 1, Impromptu. Allegro fluente
Track length3:12
No. 2, Adagio
Track length2:34
No. 3, Allegro non troppo
Track length5:04
No. 7, Carillon Nocturne
Track length7:08
No. 1,
Track length2:35
No. 2,
Track length4:12
I. Emerson
Track length16:26
II. Hawthorne
Track length11:44
III. The Alcotts
Track length5:36
IV. Thoreau
Track length10:37

Awards and reviews

November 2018

For the Ives, Rangell again accentuates the lyrical side, taking the edge offsome of the mania. While both Aimard and Hamelin are if anything too assured, Rangell offers a different contextualisation. Fascinating listening.
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