Special offer. Blitzstein: The Cradle Will Rock
Ginger Costa-Jackson (vocals), Christopher Burchett (vocals), Nina Spinner (vocals), Larry Foreman (vocals), Andy Papas (vocals), Efraín Solís (vocals), Dylan Elza (vocals), Jorgeandrés Camargo (vocals), Justin Hopkins (vocals), Scott Purcell (vocals), Michael Anderson (vocals), Eric McConnell (vocals),...
Awards:
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Opera, November 2018, Recording of the Month
It makes a punchy, highly colourful impression. Blitzstein’s orchestra includes an accordion, Hawaiian guitar, maracas and saxophones, and conductor John Mauceri relishes the extra tang and...
Special offer. Blitzstein: The Cradle Will Rock
Ginger Costa-Jackson (vocals), Christopher Burchett (vocals), Nina Spinner (vocals), Larry Foreman (vocals), Andy Papas (vocals), Efraín Solís (vocals), Dylan Elza (vocals), Jorgeandrés Camargo (vocals), Justin Hopkins (vocals), Scott Purcell (vocals), Michael Anderson (vocals), Eric McConnell (vocals),...
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Awards:
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Opera, November 2018, Recording of the Month
It makes a punchy, highly colourful impression. Blitzstein’s orchestra includes an accordion, Hawaiian guitar, maracas and saxophones, and conductor John Mauceri relishes the extra tang and...
About
Bridge Records is pleased to be issuing the first complete recording of Marc Blitzstein's signature creation, The Cradle Will Rock. The new recording features Blitzstein’s original 1937 orchestrations and was recorded live at Opera Saratoga in July 2017. The performance features a stellar cast including Ginger Costa-Jackson as Moll; Keith Jameson as Harry Druggist; Christopher Burchett as Larry Foreman; Audrey Babcock as Mrs. Mister; and Matt Boehler as Mr. Mister. The production is conducted by John Mauceri with direction by Lawrence Edelson. The two-disc set also includes a rare recording of Marc Blitzstein discussing the opera's opening night in 1937.The opening night of The Cradle Will Rock (July 16, 1937) was one of the most infamous in history. The attempt to shut down and censor the production resulted in an improvised performance with Blitzstein playing his score on the piano, which has influenced performances of this American masterpiece for decades. This new recording restores Blitzstein’s brilliant original orchestrations to their full glory.
Artists
Ginger Costa-Jackson (vocals), Christopher Burchett (vocals), Nina Spinner (vocals), Larry Foreman (vocals), Andy Papas (vocals), Efraín Solís (vocals), Dylan Elza (vocals), Jorgeandrés Camargo (vocals), Justin Hopkins (vocals), Scott Purcell (vocals), Michael Anderson (vocals), Eric McConnell (vocals), Adam Bradley (vocals), Brian Wallin (vocals), John Tibbetts (vocals), Keith Jameson (vocals), Audrey Babcock (vocals), Heather Jones (vocals), Spencer Viator (vocals), Matt Boehler (vocals), Miles Herr (vocals), Meghan Kasanders (vocals), Marc Blitzstein (narrator), Opera Saratoga Orchestra, John Mauceri
Contents and tracklist
- Ginger Costa-Jackson (vocals), Christopher Burchett (vocals), Nina Spinner (vocals), Larry Foreman (vocals), Andy Papas (vocals), Efraín Solís (vocals), Dylan Elza (vocals), Jorgeandrés Camargo (vocals), Justin Hopkins (vocals), Scott Purcell (vocals), Michael Anderson (vocals), Eric McConnell (vocals), Adam Bradley (vocals), Brian Wallin (vocals), John Tibbetts (vocals), Keith Jameson (vocals), Audrey Babcock (vocals), Heather Jones (vocals), Spencer Viator (vocals), Matt Boehler (vocals), Miles Herr (vocals), Meghan Kasanders (vocals)
- Opera Saratoga Orchestra
- John Mauceri
Awards and reviews
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OperaNovember 2018Recording of the Month
November 2018
It makes a punchy, highly colourful impression. Blitzstein’s orchestra includes an accordion, Hawaiian guitar, maracas and saxophones, and conductor John Mauceri relishes the extra tang and sizzle that they bring the music…Blitzstein’s music is a teeming mix of jazz, Broadway and operatic influences. It sizzles in this excellent performance of a work long overdue an authoritative recording.
November 2018
Some of the language is a bit dated, but the variety with which Blitzstein handles text keeps the listener interested, as does the musical variety, whether jazzy, jaunty, bluesy or lyrical. Propelling the whole is a white-hot energy that remains as vivid today as it must have been at the premiere.
Classical Ear November 2018
There is no denying the righteous punch of Blitzstein’s music – caught somewhere between Kurt Weill and Verdi, with Mozartian recitatives out of Arthur Miller and peppered by popular tunes of the day. Kudos to Bridge Records for capturing this piece of history.