Unexpected tempos, but the atmosphere is unmistakable. Kolesnikov finds nocturnal quietude in the Moonlight Sonata, and his lucid, thoughtful approach pays off elsewhere too.

He conveys the jokiness of the second piece (probably intended as a scherzo for Op. 10 No. 1) without labouring the point, while the fourth contrasts a quiet playfulness, sudden outbreaks of ire and an otherworldly dreaminess…The G major Sonata, Op. 14 No. 2, also suits Kolesnikov well…And he gives a sparkling account of the playful and perky finale, if not quite finding the level of wit of, say Richard Goode.

This new release is a fascinating journey through early- and middle- period Beethoven. Kolesnikov’s playing is focused and involving. The opening movement of the Moonlight shows rippling textures which are superbly rendered.

Another invigorating recital from Kolesnikov in sumptuous sound, presenting a ‘Moonlight’ revelatory in its understatement

The whole disc…is a rare delight. This pianist’s brilliant playing is exquisitely poised and lyrical, but at the same time captures the composer’s subversive, explosive genius to the point of admiration.