JS Bach: The Well-Tempered Clavier
Alexandra Papastefanou (piano)
How refreshing and deeply compelling to encounter Alexandra Papastefanou’s no-holds-barred, red-blooded, freely yet subtly pedalled responses to this era-defining compendium. As if entranced...
JS Bach: The Well-Tempered Clavier
Alexandra Papastefanou (piano)
Purchase product
How refreshing and deeply compelling to encounter Alexandra Papastefanou’s no-holds-barred, red-blooded, freely yet subtly pedalled responses to this era-defining compendium. As if entranced...
About
Pianist Alexandra Papstefanou performs The Well-Tempered Clavier, Books I and II in a complete 4CD recording of the works.
One of the greatest achievements in musical composition history, The Well-Tempered Clavier of Johann Sebastian Bach, is a collection of two sets of preludes and fugues in all 24 major and minor keys. It seems both books, composed two decades apart, were written primarily for educative personal and private use in the home ? probably to be played on the intimate clavichord.
Alexandra Papstefanou graduated from Athens Conservatoire, where she studied piano under Aliki Vatikioti. She followed her studies with Olga Zhukova at the Moscow Tchaikovsky Conservatory, with Peter Solymos, at the Franz Liszt Academy of Music in Budapest and, on a scholarship from the Alexander Onassis Foundation, at the University of Indiana in Bloomington, USA, with the highly influencial teacher György Sebok. She has also taken lessons from Alfred Brendel.
Papastefanou was a finalist at the Clara Haskil Competition in Switzerland and received the Liebstoeckl and Fazioli Prizes at the International Geneva Competition, as well as the Spyros Motsenigos Prize from the Academy of Athens.
She has performed all of Bach's keyboard works and, in a series of recitals, has presented his complete Well-Tempered Clavier, Goldberg Variations, The Art of Fugue, and The Musical Offering as well as his keyboard concertos.
Papstafanou performs keyboard music from the Baroque through to modern repertoire including the music of George Crumb, Gyorgy Ligeti, Karlheinz Stockhausen and Toru Takemitsu. She has performed solo and chamber recitals, concertos across Europe (Germany, France, Great Britain, The Netherlands, Luxembourg, Spain, the Czech Republic, Russia, Finland and Hungary), the United States and Canada.
Contents and tracklist
- Alexandra Papastefanou (piano)
- Recorded: 24-25 April 2017
- Recording Venue: Aris Garoufalis Concert Hall, Athens, Conservatoire, Greece
- Alexandra Papastefanou (piano)
- Recorded: 24-25 April 2017
- Recording Venue: Aris Garoufalis Concert Hall, Athens, Conservatoire, Greece
Awards and reviews
October 2018
How refreshing and deeply compelling to encounter Alexandra Papastefanou’s no-holds-barred, red-blooded, freely yet subtly pedalled responses to this era-defining compendium. As if entranced by the music’s purely expressive contours, Papastefanou imbues Bach’s imperious musical logic with a rich humanity and emotional narrative. Inauthentic? Almost certainly. Musically in the moment and convincing? Absolutely.
October 2018
Salient aspects of harpsichord technique inform Papastefanou’s approach, such as varied legato articulations and arpeggiations, strong finger independence, plus the occasional use of agogic caesuras and tenutos to demarcate phrase groupings and points of harmonic tension…Beyond question, Papastefanou more than holds her own alongside the catalogue’s top piano versions of the ‘48’.