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Bernstein: A Quiet Place

Orchestre symphonique de Montréal, Kent Nagano

Bernstein: A Quiet Place
Conducted with missionary fervour by Kent Nagano, who had worked with Bernstein on the 1986 premiere, the latest revision seems to bring A Quiet Place into sharper focus than its baggy predecessor...this...

Bernstein: A Quiet Place

Orchestre symphonique de Montréal, Kent Nagano

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96 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
Conducted with missionary fervour by Kent Nagano, who had worked with Bernstein on the 1986 premiere, the latest revision seems to bring A Quiet Place into sharper focus than its baggy predecessor...this...

About

Decca Classics and the Orchestre symphonique de Montréal are proud to present the world premiere recording of the chamber version of Leonard Bernstein’s ‘A Quiet Place’, adapted by Garth Edwin Sunderland. It is conducted by Kent Nagano and will be released on 22nd June, ahead of the Bernstein centenary on 25th August 2018.

Premiered in 1983, Bernstein’s opera ‘A Quiet Place’ was the composer’s last work written for the stage and remains one of his lesser known large-scale compositions. The concert-version presented on the new album features a chamber orchestra and was recorded live at the Maison symphonique de Montréal in May 2017. Garth Edwin Sunderland’s adaptation offers a compact presentation of the three-act opera which places equal focus on librettist Stephen Wadsworth’s dramatic narrative and Bernstein’s complex and highly developed late musical style.

Kent Nagano was introduced to Bernstein by Seiji Ozawa in 1984 and studied with him until his death in 1990. Nagano says, “For Bernstein music was life – the two were synonymous, inseparable. He never stopped exploring and pushing his own compositional language. The goal in this particular adaptation is to allow the spirited brilliance and poetic depth of the work to shine through – including dance rhythms and elements of American folklore. Our hope is that the timeless and universal quality of the piece and the genius of the composition are laid bare in this new recording.”

Contents and tracklist

Prologue..."The path of truth is plain and safe”
Track length3:37
Dialogue 1. "I am sorry, ma'am"
Track length1:17
Dialogue 2. “She wasn’t exactly what you would call a beautiful woman”
Track length3:30
Dialogue 3. “Dede! Darlin how’ve you been?” & Arietta “Fantastic, great!”
Track length1:23
Dialogue 4. “You’re so like her”
Track length1:55
Dialogue 5. “Uh, Susie - You must be François”
Track length0:38
Dialogue 6. “Oh François, come.”
Track length1:31
Dialogue 7. “Welcome to the Family.”
Track length0:44
Dialogue 8. “Say, who’s that character with…”
Track length1:17
Dialogue 9. “Dede, where’s your brother
Track length1:53
Readings "Who can find a virtuous woman?" & Choral “God has his ways”
Track length5:43
Aria “You’re late…”
Track length4:46
Trio “Dear Daddy, Daddy dear”
Track length3:24
Finale “Merry Christmas to you too, asshole”
Track length2:29
Postlude
Track length4:07
Aria “I wish I could sleep"
Track length3:56
Scene “What are you doing?”
Track length4:12
“First, I would like to sing you a little song”
Track length3:57
“I coming…closer”
Track length3:30
Aria “I’ve been afraid”
Track length4:41
Prelude
Track length4:37
Aria “Morning. Good Morning”
Track length2:52
Scene “The one and only cereal”
Track length3:37
Tag #1 “Ha! Absence makes the heart grow fonder! & Trio “Oh! Bon anniversaire”
Track length2:28
Tag #2 “Watch it! Watch out!”
Track length2:25
Aria “Oh, François, please. Somehow it’s meant for you”
Track length2:01
Aria “Dear loved ones” & Laughing Chorus
Track length2:32
Scene “I like it here! You mean, maybe you would…”
Track length4:25
Aria “Stop. You will not take another step!”
Track length3:56
Aria “You see, Daddy, that death does bring some relief”
Track length5:26

Awards and reviews

28th June 2018

Conducted with missionary fervour by Kent Nagano, who had worked with Bernstein on the 1986 premiere, the latest revision seems to bring A Quiet Place into sharper focus than its baggy predecessor...this is a very personal meditation on loss and its consequences, and Nagano’s cast...make its seriousness very clear.

Opera Now January 2019

Sharply recorded and well-cast, it’s an excellent opportunity to hear Bernstein’s perhaps most experimental vocal work with full clarity.
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