Special offer. 1700
Concerto Italiano, Rinaldo Alessandrini
Awards:
-
Gramophone Magazine, June 2018, Editor's Choice
Alessandrini and his crack players marry elegance with unfailing rhythmic zest, always attentive to textural clarity and the shaping of bass lines. The continuo (harpsichord and/or theorbo)...
Special offer. 1700
Concerto Italiano, Rinaldo Alessandrini
Purchase product
Awards:
-
Gramophone Magazine, June 2018, Editor's Choice
Alessandrini and his crack players marry elegance with unfailing rhythmic zest, always attentive to textural clarity and the shaping of bass lines. The continuo (harpsichord and/or theorbo)...
About
Following on from the noteworthy album ‘1600', released in 2012, ‘1700' is a vibrant homage to Italian Baroque, in which Rinaldo Alessandrini has brought together the most outstand-ing Italian composers of the first half of the eighteenth century: Locatelli, Mascitti, Vivaldi, Caldara, Durante, Ga-luppi and Pugnani. All of these com-posers went into exile, serv-ing prestigious foreign courts. They each evolved the ‘Italian style,’ based either on their own tastes or those of the country in which they had taken refuge. Each composer created his own share of wonders, to which Maestro Alessandrini’s intelligent and re-fined interpretation brings a passionate fresh perspective.
“Throughout the eighteenth century, and to a considerable extent, the fate of many Italian composers was to emigrate, and serve at courts and chapels far from home. Many of them broke away from the rules governing the legato style of their home country, developing a completely independent personality through the mingling of musical languages and the superimposition of tastes and fashions. Accordingly, in their works national styles lose their sharply-defined con-tours, as they undergo a process of personal and subtle assimilation of the most striking aspects of their host country’s musical culture.
In particular, the Italians exported their taste for melodic cantabile, their elegance, and a certain kind of histrionic individualism inherited from the opera stage and the great instrumental virtuosi. The encounter with musical Europe often caused a realignment of those elements, though they remained one of the multiple components of the composers’ personalities.”
Contents and tracklist
Awards and reviews
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Gramophone MagazineJune 2018Editor's Choice
June 2018
Alessandrini and his crack players marry elegance with unfailing rhythmic zest, always attentive to textural clarity and the shaping of bass lines. The continuo (harpsichord and/or theorbo) adds impetus without ever becoming irritatingly obtrusive...In an enterprisingly chosen repertoire, Concerto Italiano are here at their exhilarating, imaginative best.
July 2018
Concerto Italiano’s recital, beguilingly played under Alessandrini’s direction, showcases the work of Italian composers who at the start of the 18th century absorbed influences from, and in most cases worked, abroad... There’s a telling variety throughout, including works by Vivaldi, Caldara, Durante and Locatelli.