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Special offer. 1700

Concerto Italiano, Rinaldo Alessandrini

1700

Awards:

Alessandrini and his crack players marry elegance with unfailing rhythmic zest, always attentive to textural clarity and the shaping of bass lines. The continuo (harpsichord and/or theorbo)...

Special offer. 1700

Concerto Italiano, Rinaldo Alessandrini

Purchase product

88.2 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($15.00) Reduced price $10.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($12.50) Reduced price $8.75

320 kbps, MP3

Original price ($10.00) Reduced price $7.00

This release includes a digital booklet

Stream now Hi-RES 88.2 kHz, 24 bit

Awards:

Alessandrini and his crack players marry elegance with unfailing rhythmic zest, always attentive to textural clarity and the shaping of bass lines. The continuo (harpsichord and/or theorbo)...

About

Following on from the noteworthy album ‘1600', released in 2012, ‘1700' is a vibrant homage to Italian Baroque, in which Rinaldo Alessandrini has brought together the most outstand-ing Italian composers of the first half of the eighteenth century: Locatelli, Mascitti, Vivaldi, Caldara, Durante, Ga-luppi and Pugnani. All of these com-posers went into exile, serv-ing prestigious foreign courts. They each evolved the ‘Italian style,’ based either on their own tastes or those of the country in which they had taken refuge. Each composer created his own share of wonders, to which Maestro Alessandrini’s intelligent and re-fined interpretation brings a passionate fresh perspective.

“Throughout the eighteenth century, and to a considerable extent, the fate of many Italian composers was to emigrate, and serve at courts and chapels far from home. Many of them broke away from the rules governing the legato style of their home country, developing a completely independent personality through the mingling of musical languages and the superimposition of tastes and fashions. Accordingly, in their works national styles lose their sharply-defined con-tours, as they undergo a process of personal and subtle assimilation of the most striking aspects of their host country’s musical culture.

In particular, the Italians exported their taste for melodic cantabile, their elegance, and a certain kind of histrionic individualism inherited from the opera stage and the great instrumental virtuosi. The encounter with musical Europe often caused a realignment of those elements, though they remained one of the multiple components of the composers’ personalities.”

Contents and tracklist

I. Allegro moderato
Track length2:18
Ii. Allegro
Track length1:57
Iii. Larghetto
Track length2:46
Iv. Allegro moderato
Track length2:20
I. Larghetto
Track length1:22
Ii. Andante
Track length2:22
I. Allegro
Track length2:10
Ii. Grave
Track length2:02
Iii. Allegro
Track length1:56
I. Affettuoso - Presto
Track length6:04
Ii. Largo affettuoso
Track length3:45
Iii. Allegro
Track length2:32
I. Adagio e Staccato & Ii. Allegro - Adagio
Track length2:46
Iii. Adagio
Track length1:40
Iv. Allegro
Track length3:34
Sinfonia funebre composta per le essequie della sua donna che si celebrarono in roma in F Minor, Dun
Track length1:33
Sinfonia funebre composta per le essequie della sua donna che si celebrarono in roma in F Minor, Dun
Track length1:50
Sinfonia funebre composta per le essequie della sua donna che si celebrarono in roma in F Minor, Dun
Track length2:21
Sinfonia funebre composta per le essequie della sua donna che si celebrarono in roma in F Minor, Dun
Track length2:01
Sinfonia funebre composta per le essequie della sua donna che si celebrarono in roma in F Minor, Dun
Track length2:38
I. Grave e Adagio
Track length2:55
Ii. Spiritoso
Track length2:37
Iii. Allegro
Track length3:54

Awards and reviews

  • Gramophone Magazine
    June 2018
    Editor's Choice

June 2018

Alessandrini and his crack players marry elegance with unfailing rhythmic zest, always attentive to textural clarity and the shaping of bass lines. The continuo (harpsichord and/or theorbo) adds impetus without ever becoming irritatingly obtrusive...In an enterprisingly chosen repertoire, Concerto Italiano are here at their exhilarating, imaginative best.

July 2018

Concerto Italiano’s recital, beguilingly played under Alessandrini’s direction, showcases the work of Italian composers who at the start of the 18th century absorbed influences from, and in most cases worked, abroad... There’s a telling variety throughout, including works by Vivaldi, Caldara, Durante and Locatelli.
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