Passio - Passiontide
works by Tallis, Purcell et al
The Zurich Chamber Singers, Christian Erny
This CD is bookended with relaxed accounts of Salvator mundi and If ye love me by Tallis, which neatly set, and bid farewell to, the tone of this disc. Purcell’s Funeral Sentences are just that,...
Passio - Passiontide
works by Tallis, Purcell et al
The Zurich Chamber Singers, Christian Erny
Purchase product
This CD is bookended with relaxed accounts of Salvator mundi and If ye love me by Tallis, which neatly set, and bid farewell to, the tone of this disc. Purcell’s Funeral Sentences are just that,...
About
Composers throughout the history of music have been inspired by Passiontide – a time of calm and expectation. The new album by the Zurich Chamber Singers is dedicated to this beautiful repertoire, combining Passiontide and funeral music of the English and German Renaissance and Baroque with the newly commissioned piece De profundis by the US-American composer Kevin Hartnett.
Contents and tracklist
- Magdalena Rosa Dür (cello), Matías Lanz (organ)
- Zurich Chamber Singers
- Christian Erny
- Magdalena Rosa Dür (cello), Matías Lanz (organ)
- Zurich Chamber Singers
- Christian Erny
- Recorded: 14-15 October 2017
- Recording Venue: Konzertsaal, Konservatorium Winterthur, Switzerland
- Magdalena Rosa Dür (cello), Matías Lanz (organ)
- Zurich Chamber Singers
- Christian Erny
- Magdalena Rosa Dür (cello), Matías Lanz (organ)
- Zurich Chamber Singers
- Christian Erny
- Recorded: 14-15 October 2017
- Recording Venue: Konzertsaal, Konservatorium Winterthur, Switzerland
- Magdalena Rosa Dür (cello), Matías Lanz (organ)
- Zurich Chamber Singers
- Christian Erny
Awards and reviews
July 2018
This CD is bookended with relaxed accounts of Salvator mundi and If ye love me by Tallis, which neatly set, and bid farewell to, the tone of this disc. Purcell’s Funeral Sentences are just that, rather than expressly Passiontide music, but their mood fits. Erny and his Zurich Chamber Singers do not have the measure of this most expressive music from 1695, and their reading is too perfunctory and bland for Purcell’s harmonic genius. Their Bach Jesu, meine Freude is fleet-footed and with nicely delivered divisions, though occasionally a little quirky in delivery and not helped by the rather muddy recorded sound. Their performance of Kevin Harnett’s De profundis (2016) is the most convincing performance on the disc and it is immediately clear that the choir is right inside this music, which they commissioned and have lived with