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Special offer. A Certain Slant of Light

Songs on Poems by Emily Dickinson

Lisa Delan (soprano)

Orchestre Philharmonique de Marseille, Lawrence Foster

[Tilson Thomas’s] spacious text-setting and assured, imaginative orchestrations compellingly evoke the oblique, revelatory quality of Dickinson’s verse. Lisa Delan, a committed champion of American...

Special offer. A Certain Slant of Light

Songs on Poems by Emily Dickinson

Lisa Delan (soprano)

Orchestre Philharmonique de Marseille, Lawrence Foster

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This release includes a digital booklet

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[Tilson Thomas’s] spacious text-setting and assured, imaginative orchestrations compellingly evoke the oblique, revelatory quality of Dickinson’s verse. Lisa Delan, a committed champion of American...

About

The exceptional nature and musicality of Emily Dickinson’s poetry has attracted many composers. A Certain Slant of Light features musical settings of Dickinson poems by four outstanding American composers: Aaron Copland, Gordon Getty, Jake Heggie and Michael Tilson Thomas. The collection of songs featured on this album reveals the diversity of Dickinson’s oeuvre, as well as the rich 20th and 21st-century tradition of American art song composition. These songs are interpreted by the renowned American soprano Lisa Delan, together with the Orchestre Philharmonique de Marseille under the baton of Lawrence Foster.

Delan has been featured on varied PENTATONE releases, including three American song recitals. Reviewing Delan’s 2016 recording Out of the Shadows, critics praised her “musicianship and responsiveness to the text” (Gramophone), “scrupulous and passionate accounts” (New Music Connoisseur), “liquid emotion and straightforward braininess” (Blog Critics), and “clarity and rhetorical relevance” (The Rehearsal Studio). Opera News noted “It's gratifying to find a singer involved so intimately and actively with the music of her time” and Music Web International added “Lisa Delan is probably one of the most versatile singers now before the public”.

Contents and tracklist

8 Poems of Emily Dickinson: No. 1, Nature, the Gentlest Mother
Track length3:43
8 Poems of Emily Dickinson: No. 2, There Came a Wind like a Bugle
Track length1:32
8 Poems of Emily Dickinson: No. 3, The World Feels Dusty
Track length1:35
8 Poems of Emily Dickinson: No. 4, Heart, We Will Forget Him
Track length2:06
8 Poems of Emily Dickinson: No. 5, Dear March, Come In!
Track length2:14
8 Poems of Emily Dickinson: No. 6, Sleep Is Supposed to Be
Track length2:29
8 Poems of Emily Dickinson: No. 7, Going to Heaven!
Track length2:46
8 Poems of Emily Dickinson: No. 8, The Chariot
Track length3:09
Newer Every Day (Arr. for Voice & Orchestra): No. 1, Silence
Track length2:02
Newer Every Day (Arr. for Voice & Orchestra): No. 2, I'm Nobody! Who Are You?
Track length1:35
Newer Every Day (Arr. for Voice & Orchestra): No. 3, Fame
Track length1:00
Newer Every Day (Arr. for Voice & Orchestra): No. 4, That I Did Always Love
Track length3:33
Newer Every Day (Arr. for Voice & Orchestra): No. 5, Goodnight
Track length3:31
4 Dickinson Songs (Version for Voice & Orchestra): No. 1, Safe in Their Alabaster Chambers
Track length1:08
4 Dickinson Songs (Version for Voice & Orchestra): No. 2, A Bird Came down the Walk
Track length1:35
4 Dickinson Songs (Version for Voice & Orchestra): No. 3, There's a Certain Slant of Light
Track length1:50
4 Dickinson Songs (Version for Voice & Orchestra): No. 4, Because I Could Not Stop for Death
Track length2:08
Poems of Emily Dickinson (Excerpts): Down Time's Quaint Stream
Track length1:15
Poems of Emily Dickinson (Excerpts): The Bible
Track length4:36
Poems of Emily Dickinson (Excerpts): Fame
Track length1:27
Poems of Emily Dickinson (Excerpts): The Earth Has Many Keys
Track length2:30
Poems of Emily Dickinson (Excerpts): Take All Away from Me
Track length3:32

Awards and reviews

August 2018

[Tilson Thomas’s] spacious text-setting and assured, imaginative orchestrations compellingly evoke the oblique, revelatory quality of Dickinson’s verse. Lisa Delan, a committed champion of American art song, has a technique which admirably suits the sentimental-humorous style of this repertoire, often recalling music theatre. The glowing, sparkling orchestral sound is a good foil to her, especially in Tilson Thomas’s settings.

10th June 2018

This highly American disc brings together Emily Dickinson songs by four composers, beginning with Copland’s orchestrations. Both he and Gordon Getty select Because I Could Not Stop for Death, but against Copland’s solemn rhapsody Getty’s version is a kind of genial dance of death.
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