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Special offer. Ruth-Margret Pütz: Recital

Ruth-Margret Pütz (soprano)

This is an ideal way to get to know the vocal artistry of Ruth-Margret Pütz.

Special offer. Ruth-Margret Pütz: Recital

Ruth-Margret Pütz (soprano)

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CD

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
This is an ideal way to get to know the vocal artistry of Ruth-Margret Pütz.

About

If there is one German singer of the post-war era who rose from nowhere to fame and fortune, then surely that singer is Ruth-Margret Putz. When she was born on February 26, 1930 – sometimes wrongly given as 1931 – in Krefeld, she was the daughter neither of a family of musicians nor of a middle-class, educated household where an early musical education would have been seen as a character-building exercise. On the contrary: young Margret Doerkens rarely came into contact with music, except through a distant uncle who owned a piano. It is all the more rewarding therefore that this CD offers twenty-first-century listeners the opportunity of acquainting themselves with Ruth-Margret Putz's wide-ranging vocal ability and artistic attributes.

Contents and tracklist

Gualtier Maldé! (Sung in German)
Track length6:41
Ach, unter allen Blicken - Auch ich versteh' die feine Kunst (Sung in German)
Track length5:16
Nun eilt herbei, Witz, heitre Laune
Track length6:02
Welcher Kummer herrscht... Traurigkeit ward mir zum Lose (Live)
Track length9:23
Martern aller Arten (Live)
Track length8:38
Ach Belmonte! Ach, mein Leben!
Track length11:03
Großmächtige Prinzessin, wer verstünde nicht (Live)
Track length11:37

Awards and reviews

December 2018

This is an ideal way to get to know the vocal artistry of Ruth-Margret Pütz.

December 2018

The Mozart concert aria is artfully and sensitively performed, and it is remarkable just how much feeling she can inject into what is basically a soubrette-sized tone. Constanze’s ‘Traurigkeit’ is another deeply perceptive performance…[in ‘Grossmächtige Prinzessin’] Pütz establishes that she knows exactly what to do with Strauss’s notes beyond merely singing them.
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