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Melodies in Mind

Handel Suites & Trio Sonatas

Ensemble Amarillis

Melodies in Mind
The first thing to hit your ears is how exceptionally bright and immediate the sound is…There’s also real vitality and conviction across the disc, as you might expect from such a labour of love…All...

Melodies in Mind

Handel Suites & Trio Sonatas

Ensemble Amarillis

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This release includes a digital booklet

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The first thing to hit your ears is how exceptionally bright and immediate the sound is…There’s also real vitality and conviction across the disc, as you might expect from such a labour of love…All...

About

When the ensemble Amarillis focuses on Handel, the musicians reinvent the genre of the baroque suite. They take advantage of their variable geometry formation to concoct a joyous musical ballet in homage to the most Italian of the English composers. No voice here, and yet what lyricism in these pages!

Thanks to transcriptions that constantly renew the instrumentation of the program, the performers, led by Héloïse Gaillard (flute) and Violaine Cochard (harpsichord), emphasize the colours of this contrasting and special anthology of Handel’s Suites and Trio Sonatas.

Contents and tracklist

I. Largo
Track length3:39
II. Allegro
Track length2:25
III. Andante
Track length2:29
IV. Allegro
Track length2:07
II. Adagio
Track length0:48
III. Allegro
Track length1:19
I. Adagio
Track length2:36
II. Allegro
Track length1:57
I. Larghetto
Track length2:22
II. Allegro
Track length2:04
III. Adagio
Track length2:25
IV. Allegro
Track length2:04
V. Allegro
Track length1:33
I. Allegro (Transcription for Recorder, Violin and Continuo)
Track length1:40
II. Adagio (Transcription for Recorder, Violin and Continuo)
Track length1:09

Awards and reviews

July 2018

The first thing to hit your ears is how exceptionally bright and immediate the sound is…There’s also real vitality and conviction across the disc, as you might expect from such a labour of love…All in all, great stuff.

Classical Music June 2018

This is a lovely programme, juxtaposing ‘pure’ Handel Sonatas from Op 2 (for recorder, violin and basso continuo) with constructed suites from diverse pieces (‘Suites imaginaires’), then placing two movements from Handel’s second keyboard suite at its heart. Each constructed suite ends with an arrangement by Erik Desimpelaere (the arrangement of the Aria from HWV449 that closes the second constructed suite is remarkably slick and stylish). Solo harpsichord movements provide contrast, confidently performed by Violaine Cochard.
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