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Illuminations

Nicholas Phan (tenor), Myra Huang (piano)

Telegraph Quartet, The Knights Chamber Orchestra

Illuminations

Awards:

Phan is brilliantly supported by the instrumentalists’ technicolour playing [in Les Illuminations]. Much of Phan’s soft singing is tenderly handled, and the moments where he slips into a transparent...

Illuminations

Nicholas Phan (tenor), Myra Huang (piano)

Telegraph Quartet, The Knights Chamber Orchestra

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Awards:

Phan is brilliantly supported by the instrumentalists’ technicolour playing [in Les Illuminations]. Much of Phan’s soft singing is tenderly handled, and the moments where he slips into a transparent...

About

The poetry of Paul Verlaine and Arthur Rimbaud inspired composers Fauré, Debussy and Britten, and in turn spurred Grammy Award-nominated tenor Nicholas Phan to combine their works on his new album, 'Illuminations'.

Following acclaimed albums devoted to Britten, baroque lute songs and German lieder, Grammy Award-nominated tenor Nicholas Phan continues to spread his wings with 'Illuminations', an album featuring compositions by Benjamin Britten, Claude Debussy and Gabriel Fauré who were each inspired by the poetry of two 19th-century French literary titans, Paul Verlaine and his protégé and eventual lover Arthur Rimbaud. The intertwined lives of the French poets and composers manifested themselves in Fauré's impassioned Verlaine-inspired La bonne chanson and Debussy's Ariettes oubliées drawn from Verlaine's Romances sans paroles. Just decades later Britten was inspired by Rimbaud's influential prose-poetry Les Illuminations.

CRITICAL ACCLAIM FOR NICHOLAS PHAN

"one of the most beautiful young lyric voices around." - Opera News

"The year has barely begun and already here's a disc to remember come all those end-of-year round-ups." - Gramophone Editor's Choice (on A Painted Tale, AV 2325)

"so many strengths - a dapper, cultivated timbre, splendid enunciation, and keen intelligence and musicianship." - WQXR (on Still Falls the Rain, AV 2258)

"There are so many jewels here - Phan's sheer sensitivity is a delight. An absorbing recital disc and an ideal introduction to the joys of lieder. Beautifully recorded" - TheArtsDesk.com (on Gods & Monsters, AV 2368)

Contents and tracklist

Une sainte en son aureole
Track length2:17
Puisque l'aube grandit
Track length1:55
La lune blanche luit dans les bois
Track length2:31
J'allais par des chemins perfides
Track length1:59
J'ai presque peur en vérité
Track length2:16
Avant que tu ne t'en ailles
Track length2:48
Donc, ce sera par un clair jour d’été
Track length2:42
N’est-ce pas?
Track length2:33
L’hiver a cessé
Track length3:16
C’est l’extase
Track length3:07
Il pleure dans mon coeur
Track length2:35
L’ombre des arbres
Track length2:38
Chevaux de bois
Track length3:16
Aquarelles I - Green
Track length2:23
Aquarelles II - Spleen
Track length2:26
I. Fanfare
Track length2:28
II. Villes
Track length2:24
IIIa. Phrase
Track length1:12
IIIb. Antique
Track length2:21
IV. Royauté
Track length1:35
V. Marine
Track length0:59
VI. Interlude
Track length2:37
VII. Being beauteous
Track length4:11
VIII. Parade
Track length2:48
IX. Départ
Track length2:43

Spotlight on this release

Awards and reviews

  • Presto Editor's Choice
    April 2018

June 2018

Phan is brilliantly supported by the instrumentalists’ technicolour playing [in Les Illuminations]. Much of Phan’s soft singing is tenderly handled, and the moments where he slips into a transparent falsetto, as in Debussy’s ‘L’ombre des arbres’, are deeply moving. But louder singing is marred by an unruly vibrato…Myra Huang is fleet and controlled, although at times overpowered in the balance.

June 2018

There are more purely beguiling voices out there – Phan’s tenor is not the juiciest, and it can develop a beat under pressure – but he sings with intelligence, sensitivity and poise, not to mention an appealing gentleness and patience. His French is correct, perhaps, rather than meltingly idiomatic, but he communicates directly and affectingly...the playing of the orchestra is beautifully alive and alert.

April 2018

Phan’s edgy, febrile timbre may not be conventionally beautiful (he never shies away from taking risks in service of expressiveness), but he brings an astounding range of colours and textures to bear on poetry which he clearly loves and knows inside-out. The Knights suit the action to the word, too, in a reading of Les Illuminations which brings Rimbaud’s ‘parade sauvage’ to vivid, unsettling life.
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