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Special offer. Sir Thomas Beecham - Royal Philharmonic Orchestra

Richard Itter Collection

Royal Philharmonic Orchestra, Sir Thomas Beecham

His mercurial personality was almost invariably at its most beguiling live in concert. One sense an extra degree of imperativeness in gripping performances of Haydn’s symphonies Nos 99 and 101,...

Special offer. Sir Thomas Beecham - Royal Philharmonic Orchestra

Richard Itter Collection

Royal Philharmonic Orchestra, Sir Thomas Beecham

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($30.50) Reduced price $21.50

320 kbps, MP3

Original price ($20.50) Reduced price $14.25

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
His mercurial personality was almost invariably at its most beguiling live in concert. One sense an extra degree of imperativeness in gripping performances of Haydn’s symphonies Nos 99 and 101,...

About

This release has been sourced from the Richard Itter archive. The collection is very important for collectors because it has never been released before onto the market. Beecham caught 'live' often showed the mercurial side of his character and no performance was the same, either in the studio or in the concert hall. David Patmore confirms this in his booklet essay: 'What Beecham sought at all times was freshness, and his unpredictability was a way to achieve this'. So here we have different and valuable alternatives to the studio performances. All the performances included here are from Beecham's final years, between 1954 when he had fully established the Royal Philharmonic Orchestra and himself as central figures in England's musical life, to 1959 where he conducted extraordinarily memorable accounts of Haydn's Symphony No.101 and Brahms' Symphony No.2. Every broadcast is captured here in exemplary sound for the time. Apart from Liszt's Faust Symphony and Haydn's Symphony No.101, none of the performances in this set have ever appeared on CD before as far as is known. Even the Beethoven Symphony No.2 recorded here at the Royal Festival Hall on the 14th November 1956 is different to the BBC Legends version recorded a month later in the BBC's Maida Vale Studios on the 23rd December 1956.

Contents and tracklist

I. Adagio - Vivace assai (Live)
Track length7:44
II. Adagio (Live)
Track length7:15
III. Menuet. Allegretto (Live)
Track length6:31
IV. Finale. Vivace (Live)
Track length4:38
I. Adagio - Presto (Live)
Track length6:56
II. Andante (Live)
Track length8:17
III. Menuet. Allegro (Live)
Track length7:45
IV. Finale. Vivace (Live)
Track length4:36
Symphony in D Major, Op. 43, G. 521 (Live)
Track length8:05
A Midsummer Night's Dream Overture, Op. 21, MWV P3 (Live)
Track length12:49
I. Adagio - Allegro spiritoso (Live)
Track length8:07
II. Poco adagio (Live)
Track length8:23
III. Menuetto (Live)
Track length3:51
IV. Presto (Live)
Track length5:24
I. Adagio - Allegro (Live)
Track length8:08
II. Andante con moto (Live)
Track length7:28
III. Menuetto. Allegretto (Live)
Track length4:10
IV. Finale. Allegro (Live)
Track length3:58
I. Adagio molto - Allegro molto (Live)
Track length9:50
II. Larghetto (Live)
Track length11:36
III. Scherzo (Live)
Track length4:05
IV. Allegro molto (Live)
Track length6:57
I. Allegro non troppo (Live)
Track length14:39
II. Adagio non troppo - L'istesso tempo, ma grazioso (Live)
Track length8:44
III. Allegretto grazioso quasi andantino - Presto ma non assai (Live)
Track length5:51
IV. Allegro con spirito (Live)
Track length8:44
Overture (Live)
Track length10:05
I. Faust (Live)
Track length26:34
This track is only available as an album download.
II. Gretchen (Live)
Track length19:56
This track is only available as an album download.
III. Mephistopheles (Live)
Track length17:18
This track is only available as an album download.
IV. Final Chorus (Live)
Track length5:52

Awards and reviews

August 2018

His mercurial personality was almost invariably at its most beguiling live in concert. One sense an extra degree of imperativeness in gripping performances of Haydn’s symphonies Nos 99 and 101, which by comparison with Beecham’s studio accounts for EMI dating from the same period, lean more towards vibrant authority and majestic sweep tan twinkle-in-eye breeziness and charm.
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