Philip Venables: Below The Belt
Melinda Maxwell (oboe) & David Hoyle (performance artist)
Phoenix Piano Trio, Ligeti String Quartet & London Sinfonietta, Richard Baker
These six superbly assured works…reveal the same, lacerating frankness in diverse chamber contexts as Venables’s groundbreaking opera, 4:48 Psychosis…Most graphically urgent is Illusions…Supported...
Philip Venables: Below The Belt
Melinda Maxwell (oboe) & David Hoyle (performance artist)
Phoenix Piano Trio, Ligeti String Quartet & London Sinfonietta, Richard Baker
Purchase product
These six superbly assured works…reveal the same, lacerating frankness in diverse chamber contexts as Venables’s groundbreaking opera, 4:48 Psychosis…Most graphically urgent is Illusions…Supported...
About
Some of the works on this album contain strong language and sexual references. Suitable for ages 18+ only.
We can think of no better way to kickstart the second series of Debut Discs (NMC’s acclaimed showcase for gifted early-career composers) than this explosive new album by Philip Venables! Venables is best known for his operatic and theatrical works, exploring themes of sexuality, violence and politics. His music has been described as “brutally effective” (The Times), “duly playful and occasionally disturbing” (The Guardian), and “a dark and violent portrait of sexual desire” (SoSoGay.com). He made his Royal Opera debut with 4.48 Psychosis (dir. Ted Huffman) – the first ever permitted adaptation of any of Sarah Kane’s work – which won the UK Theatre Award in 2016, a British Composer Award in 2017, and was nominated for both an Olivier Award and a Sky Arts Award.
This album includes The Revenge of Miguel Cotto, a performance piece inspired by two boxers, Miguel Cotto and Antonio Margarito, and scored for ensemble, voices, and two punchbags. Four miniatures, each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe (Melinda Maxwell) and Numbers, set to the poems of Simon Howard and mixing spoken text with chamber music. The brilliant, ferocious and funny Illusions, featuring David Hoyle's impassioned rant about everything from politics and gender to sodomy and revolution, is the perfect showstopping finale to this eclectic release.
Album includes bonus video download of Illusions, featuring David Hoyle.
Contents and tracklist
- Leigh Melrose (baritone), Dario Dugandzic (baritone), Ashot Sarkissjan (violin), Ciaran McCabe (violin), James Widden (violin), Ian Watson (accordion), Graham Lee (trombone), Lee Boorer (trombone), Simon Baker (trombone), Matthew West (percussion), Oliver Lowe (percussion)
- Richard Baker
- Recorded: 29 June 2013
- Recording Venue: LSO St Luke's, London
- Melinda Maxwell (oboe)
- Phoenix Piano Trio
- Recorded: 10 July 2017
- Natalie Raybould (soprano), Lewis Bretherton (vocals), George Chambers (vocals), Ashley Mercer (bass-baritone)
- Ligeti String Quartet
- Richard Baker
- Recorded: 29 June 2013
- Recording Venue: LSO St Luke's, London
- Nick Blackburn (narrator), Katie Bicknell (flute), Olivia Jaguers (harp), Matthew West (wood block)
- David Hoyle (narrator)
- London Sinfonietta
- Richard Baker
Spotlight on this release
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Awards and reviews
June 2018
These six superbly assured works…reveal the same, lacerating frankness in diverse chamber contexts as Venables’s groundbreaking opera, 4:48 Psychosis…Most graphically urgent is Illusions…Supported with terrific intelligence by conductor Richard Baker…this is a remarkable piece, sensationally performed.