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Robert Saxton: Piano Music

Clare Hammond (piano)

Robert Saxton: Piano Music
These two collections are enchanting: at once playful and serious, exploratory, intellectually vigorous and, very often, deeply poignant.

Robert Saxton: Piano Music

Clare Hammond (piano)

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This release includes a digital booklet

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These two collections are enchanting: at once playful and serious, exploratory, intellectually vigorous and, very often, deeply poignant.

About

In its bell-like sonorities, clear textures and ritual manner, the piano music of Robert Saxton (born in London in 1953) suggests an almost oriental fascination with light and the way light refracts and diffracts – and yet it is audibly music written by an Englishman. In the two Books of Saxton's Hortus Musicae in particular, this fascinating confluence generates a soundworld somewhere downstream from Takemitsu and Tippett, giving these gardens of music both a ceremonial dignity and sense of spring growth.

Contents and tracklist

No.1. Hortus Somniorum
Track length1:28
No. 2, Hortus Temporis
Track length2:27
No. 3, Hortus Cantus
Track length4:13
No. 4, Hortus Infinitatis
Track length5:25
No. 5, Saltatio Hortensis
Track length2:51
No. 1, The Flowers Appear on the Earth
Track length3:05
No. 2, Light on the Water Garden
Track length2:17
No. 3, The Garden of Changing Perspective
Track length2:10
No. 4, Beech Bank (À la recherche)…
Track length3:07
No. 5, Light on the Hedgerows
Track length2:17
No. 6, The Garden at Dusk
Track length3:06
No. 7, Hortus Animae Alis Fugacis
Track length4:52

Awards and reviews

August 2018

These two collections are enchanting: at once playful and serious, exploratory, intellectually vigorous and, very often, deeply poignant.

June 2018

Central to the music’s efficaciousness is Hammond herself, of course. Book 1 arguably foregrounds the surface qualities of her playing, but Book 2 delves deeper, challenging the pianist to maintain clarity and transparency in often more complex and multi-layered settings.

8th April 2018

Saxton’s work unites craftsmanly rigour and a wide-ranging fantasy, the latter quality being explicit here in a double sequence entitled Hortus Musicae, Book 1 and Book 2.
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