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Special offer. Mathias Kjøller: clarinet

Mathias Kjøller (clarinet)

Mathias Kjøller: clarinet
A fine, lyrical player with a beautiful tone, Kjøller’s sensitive performance of the Schumann romances set out his stall. I can see why these open the disc, beguiling the ear with an immaculately...

Special offer. Mathias Kjøller: clarinet

Mathias Kjøller (clarinet)

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CD

$17.25

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Audio formats guide

48 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($17.50) Reduced price $12.25

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($13.00) Reduced price $9.00

320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 48 kHz, 24 bit
A fine, lyrical player with a beautiful tone, Kjøller’s sensitive performance of the Schumann romances set out his stall. I can see why these open the disc, beguiling the ear with an immaculately...

About

Danish clarinettist Mathias Kjoller, himself a laureate in the Carl Nielsen Competition and former principal of the Danish Radio Symphony Orchestra, has collaborated with several highly acclaimed musicians for this recording of chamber music works. The album is a testament to the sound worlds created for the clarinet by Schumann, Reinecke, Debussy, Berg and Corigliano. The connection between composers is foremost an emotional, and very melancholic one, ranging from the highly expressive Three Romances by Schumann to Alban Berg's Adagio, with Corigliano's Soliloquy serving as a sorrowful coda having been written in memoriam of the composer's father.

Contents and tracklist

No. 1 in A Minor. Nicht schnell
Track length3:44
No. 2 in A Major. Einfach, innig
Track length3:49
No. 3 in A Minor. Nicht schnell
Track length4:41
No. 1, Mäßig
Track length1:26
No. 2, Sehr langsam
Track length2:00
No. 3, Sehr rasch
Track length1:15
No. 4, Langsam
Track length3:03
Chamber Concerto: II. Adagio (Version for Violin, Clarinet & Piano)
Track length12:13

Awards and reviews

June 2018

A fine, lyrical player with a beautiful tone, Kjøller’s sensitive performance of the Schumann romances set out his stall. I can see why these open the disc, beguiling the ear with an immaculately manicured rendition (in which accompanist Simon Crawford-Phillips plays no small part)…Orchid’s sound is equally finely engineered, indeed a model for chamber music recording.
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