Fagerlund: Stonework
Ismo Eskelinen (guitar)
Finnish Radio Symphony Orchestra, Hannu Lintu
To my ears, he broadens the distinctive orchestral style forged by Magnus Lindberg but, aided by that close harmonic grind, humanises it at the same time…His is often highly calorific and thrilling...
Fagerlund: Stonework
Ismo Eskelinen (guitar)
Finnish Radio Symphony Orchestra, Hannu Lintu
Purchase product
To my ears, he broadens the distinctive orchestral style forged by Magnus Lindberg but, aided by that close harmonic grind, humanises it at the same time…His is often highly calorific and thrilling...
About
Sebastian Fagerlund has been described as ‘a composer who commandingly bridges tradition and modernity’ (Klassik-Heute.de) while his music is ‘modern and unorthodox, opulent and strange, masterfully composed and orchestrated’ (MusicWeb-International). Previous acclaimed recordings on BIS include the chamber opera Döbeln, as well as orchestral works and concertos for clarinet, violin and bassoon respectively. Another concertante work froms part of the present programme: Transit for guitar and orchestra, written for Ismo Eskelinen who also performs it here. He is partnered by the Finnish Radio Symphony Orchestra and Hannu Lintu who have previously championed Fagerlund’s music: the orchestra has commissioned several works, including the guitar concerto as well as Drifts, the opening work here. The disc takes its title from the third composition, Stonework, named after those man-made stone structures that are found all over the world, serving a range of purposes, from landmarks and navigational aids to burial monuments.
Contents and tracklist
- Ismo Eskelinen (guitar)
- Finnish Radio Symphony Orchestra
- Hannu Lintu
- Recorded: August 2016
- Recording Venue: Helsinki Music Centre, Finland
Awards and reviews
July 2018
To my ears, he broadens the distinctive orchestral style forged by Magnus Lindberg but, aided by that close harmonic grind, humanises it at the same time…His is often highly calorific and thrilling music; but the concerto proves that it’s the music itself, not just its sound, that’s worth our attention.