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Special offer. Bach/Escaich - Convergences

Thomas Ospital (organ)

Bach/Escaich - Convergences
Ospital’s playing is profoundly musical, his Bach playing considered and lyrical. Thierry’s Escaich’s Six Études-Chorals were written for one of the most high-profile hyper-organs to date: Ansgar...

Special offer. Bach/Escaich - Convergences

Thomas Ospital (organ)

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CD

Original price $19.00 Reduced price $15.20

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Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.50

320 kbps, MP3

$10.00

No digital booklet included

Ospital’s playing is profoundly musical, his Bach playing considered and lyrical. Thierry’s Escaich’s Six Études-Chorals were written for one of the most high-profile hyper-organs to date: Ansgar...

About

Bach – Escaich – Ospital: three centuries of organ history converge in this program’s central theme: a fusion of the ageless Chorale with the permanence of ever-evolving instrumental language. From Preludes and Fugues, By the Father of German music to the improvisation of Visions, Thomas Ospital pays homage to Thierry Escaich and proposes a contemporary reflection on the work of, Bach. Johann Sebastien, Bach.

Contents and tracklist

Prélude
Track length3:42
Fugue
Track length6:09
I. Vivace
Track length3:58
II. Largo
Track length3:55
III. Allegro
Track length4:14
I. Nun freut euch, ihr Christen, choral de Noël
Track length4:05
II. Wie schön leuchtet der Morgenstern, choral pour l’Épiphanie
Track length4:02
III. Herzliebster Jesu, choral de la Passion
Track length2:17
IV. O Haupt voll Blut und Wunden, choral de la Passion
Track length5:21
Prélude
Track length2:59
Fugue
Track length4:27

Awards and reviews

May 2018

Ospital’s playing is profoundly musical, his Bach playing considered and lyrical. Thierry’s Escaich’s Six Études-Chorals were written for one of the most high-profile hyper-organs to date: Ansgar Wallenhorst’s instrument at Ratingen. There are fewer surprises here, though: Escaich’s ethereal suggestions of Lutheran chorals, violent cross-rhythms and Stravinsky-like repeated chords are by now quite familiar – which isn’t to say this first recording is any less than captivating.
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