Help
Skip to main content

Puccini: La Rondine

Elena Moșuc, Evelin Novak, Siobhan Stagg, Elbenita Kajtazi, Stephanie Lauricella, Yosep Kang, Alvaro Zambrono, Jan-Hendrik Rootering

Chor des Bayerischen Rundfunks Münchner Rundfunkorchester, Ivan Repušić

Puccini: La Rondine
Repušić coaxes playing with plenty of spring and succulence from the Munich Radio Orchestra…Moşuc’s smooth, well-centred voice loses connection with the text above the stave, and while Kang...

Puccini: La Rondine

Elena Moșuc, Evelin Novak, Siobhan Stagg, Elbenita Kajtazi, Stephanie Lauricella, Yosep Kang, Alvaro Zambrono, Jan-Hendrik Rootering

Chor des Bayerischen Rundfunks Münchner Rundfunkorchester, Ivan Repušić

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$25.75

320 kbps, MP3

$20.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Repušić coaxes playing with plenty of spring and succulence from the Munich Radio Orchestra…Moşuc’s smooth, well-centred voice loses connection with the text above the stave, and while Kang...

About

When Giacomo Puccini received an offer from Vienna 'to write an opera – yes: similar to Der Rosenkavalier, only more entertaining and more organic,' he replied, 'An operetta, that for me is out of the question.' Two suggestions were submitted to him from Vienna, and he selected La rondine (The Swallow) for his work. The three-act ‘commedia lirica’ premiered in Monte Carlo in 1917, and three years later it made its way to the Volksoper in Vienna. The Munich Radio Orchestra performed La rondine at the Prinzregententheater during its first Sunday Concert of the 2015/16 season. The outstanding Rumanian-Swiss soprano Elena Mosuc sang the title role, and the Munich Radio Orchestra’s new principal conductor Ivan Repušic introduced himself to the public with an impressive debut. This production is now being released on cpo. The well-known opera love triangle, soprano-tenor-baritone, offers listeners many opportunities to smile with delight.

Contents and tracklist

Act I: Ah! no! no! ... Non dite questo (Live)
Track length4:42
Act I: Chi il bel sogno di Doretta (Live)
Track length4:55
Act I: No ... adesso non burlatemi (Live)
Track length1:46
Act I: La Doretta della mia fantasia (Live)
Track length3:00
Act I: Denaro ... denaro... nient'altro che denaro! (Live)
Track length0:51
Act I: Perche'! Ore dolci e divine (Live)
Track length5:06
Act I: E poi? ... Basta ... E finito ... (Live)
Track length3:10
Act I: O mio giovine amico (Live)
Track length0:56
Act I: Forse come la rondine (Live)
Track length1:03
Act I: Parigi! (Live)
Track length7:54
Act I: T'amo ... menti! (Live)
Track length4:50
Act II: Fiori freschi! Fiori freschi! (Live)
Track length2:16
Act II: Chi e? - Mai vista! - Esita! (Live)
Track length2:17
Act II: Scusatemi ... scusate (Live)
Track length5:03
Act II: Dolcessa! Ebbrezza! (Live)
Track length1:50
Act II: Che caldo! Che sete! (Live)
Track length2:34
Act II: Perché' mai cercate di saper (Live)
Track length1:43
Act II: Zitti! Non disturbiamoli! (Live)
Track length3:51
Act II: Bevo al tuo fresco sorriso (Live)
Track length3:14
Act II: Ah! M'aiutate (Live)
Track length2:52
Act II: Nella trepida luce (Live)
Track length2:58
Act III: Senti? Anche il mare respira sommesso (Live)
Track length3:42
Act III: E siam fuggiti qui (Live)
Track length4:54
Act III: Dimmi che vuoi seguirmi (Live)
Track length2:44
Act III: Che più dirgli (Live)
Track length0:45
Act III: E qui? Non so (Live)
Track length4:56
Act III: Ma come, voi vi ricordate ancora (Live)
Track length4:24
Act III: Amore mio! (Live)
Track length11:51

Awards and reviews

April 2018

Repušić coaxes playing with plenty of spring and succulence from the Munich Radio Orchestra…Moşuc’s smooth, well-centred voice loses connection with the text above the stave, and while Kang has a pleasingly focused, young-sounding voice, there are passages where expressivity comes at the expense of intonation.

June 2018

The interpretation itself is a highly accomplished one. Ivan Repušić leads a neat and stylish performance notable for its subtlety and flexibility. A certain vocal maturity gives Elena Moșuc's Magda dramatic credibility, even if one or two worn top notes are the downside to a reading that can boast a consistently finely shaped line. Evelin Novak offers brilliant tone as Lisette. The work of the chorus is secure and the orchestra top-quality.

November 2017

The outstanding Rumanian-Swiss soprano Elena Moșuc sang the title role, with the excellent cast. The love triangle, soprano-tenor-baritone offers listeners many opportunities to smile with delight.
View download progress