Hans Abrahamsen: String Quartets Nos. 1-4
Arditti String Quartet
Awards:
-
Presto Editor's Choice, November 2017
-
Gramophone Awards, 2018, Shortlisted - Chamber
-
Diapason d’Or, December 2017
In different ways, each quartet is at once uncanny yet familiar, restrained yet deeply emotionally engaged. The Ardittis play these with brilliant lucidity, tone colours ranging from grainy...
Hans Abrahamsen: String Quartets Nos. 1-4
Arditti String Quartet
Purchase product
Awards:
-
Presto Editor's Choice, November 2017
-
Gramophone Awards, 2018, Shortlisted - Chamber
-
Diapason d’Or, December 2017
In different ways, each quartet is at once uncanny yet familiar, restrained yet deeply emotionally engaged. The Ardittis play these with brilliant lucidity, tone colours ranging from grainy...
About
Some composers identify early on with a particular genre. A quick glance at a list of works by the Dane Hans Abrahamsen seems to indicate a very different attitude. The profusion of titles suggests a mind that picks up a form, engages with it for the duration of the work itself, and then moves on to something fresh. There has been one significant exception however- the string quartet. Abrahamsen’s four quartets span almost the whole of his composing career: Quartet No. 1 was composed in 1973, when Abrahamsen was in his early twenties; Quartet No. 4 appeared in 2012, as he entered his sixties. Not only so, but the quartets also draw a vital thread across the chasm at the heart of his life’s work. This new release presents the aforementioned works as well as the two quartets that appeared between them, brilliantly performed by the Arditti String Quartet.
Contents and tracklist
- Arditti Quartet
- Recorded: 18-19 December 2015
- Recording Venue: WDR Funkhaus, Köln
- Arditti Quartet
- Recorded: 24-26 April 2016
- Recording Venue: WDR Funkhaus, Köln
- Arditti Quartet
- Recorded: 24-26 April 2016
- Recording Venue: WDR Funkhaus, Köln
- Arditti Quartet
- Recorded: 24-26 April 2016
- Recording Venue: WDR Funkhaus, Köln
Awards and reviews
-
Presto Editor's ChoiceNovember 2017
-
Diapason d’OrDecember 2017
March 2018
In different ways, each quartet is at once uncanny yet familiar, restrained yet deeply emotionally engaged. The Ardittis play these with brilliant lucidity, tone colours ranging from grainy viol consort to ghostly, singing harmonics. Quartet No. 4 is especially outstanding.
16th November 2017
Tracing the way he came to that utterly original music from a starting point among early 20th-century modernists is one of the incidental rewards of this wonderfully played, definitive collection that includes some of the most important quartet music of our time.