This recording, made in July 2016, shows [Hvorostovsky] at the height of his powers in the title role, revealing the full range of Rigoletto’s qualities…with all the intensity Verdi required…The conducting and the orchestra are not in the first rank, but the studio performance has the kind of authenticity which glossier accounts often lack…There will no doubt be more tributes to Hvorostovsky’s star qualities, but they are unlikely to surpass this one

All [Hvorostovsky’s] artistry and intelligence is still there…though you’re conscious of his effortful snatching for breath…Demuro is a breezy Duke of Mantua, a slight sob to his sound, but never forcing his tenor too hard.

[Hvorostovsky] His tone strong and vigorous, with the odd momentary suggestion of effort not unsuited to his part; his interpretation remains a formidable achievement, consistently exploring and using the text to define the jester's character. The recording possesses a good sense of perspective, embodying orchestral sound that is rich in colouring, though there are a few moments in the busy opening scene when ensemble is not as tight as it should be.

Last year, while battling brain cancer, the baritone Dmitri Hvorostovsky spent nine days recording “Rigoletto,” which was released this November, shortly before his death at 55. He gives a russet-toned, compelling performance, joined by an impressive cast for a gripping and, in every sense, poignant performance.

This new recording of Verdi’s Rigoletto stars the late, great Dmitri Hvorostovsky in one of his signature roles. He is very fine indeed, and grows the character interestingly, less sarcastic and more brutal than some – this Rigoletto can give as good as he gets. His baritone is secure and colourful. Likewise Francesco Demuro’s Duke, with lithe tone, crisp enunciation and truly Italianate ping to the voice, a pleasure to hear. Orbelian’s conducting follows a classic path; the supporting cast is adept if not exciting.