Chopin: Complete Nocturnes
Nelson Goerner (piano)
Awards:
-
BBC Music Magazine, January 2018, Instrumental Choice
Right from the first bars of the first piece, Op. 9 No. 1, it’s clear that each note has been thought about – and each note’s place in the bigger musical picture…Goerner’s Chopin was special...
Chopin: Complete Nocturnes
Nelson Goerner (piano)
Purchase product
Awards:
-
BBC Music Magazine, January 2018, Instrumental Choice
Right from the first bars of the first piece, Op. 9 No. 1, it’s clear that each note has been thought about – and each note’s place in the bigger musical picture…Goerner’s Chopin was special...
About
"Sophisticated colourist and cerebral virtuoso though he is, Nelson Goerner nevertheless brings out the moments of weakness, the hesitations, the lightning passions in the labyrinth of Chopin," wrote Diapason on the release of the Preludes in 2015 (Diapason d’Or, Choc de Classica). ‘Serenity’, ‘balance’, ‘clarity’, ‘phrasing’ are the key words that recur in reviews of the albums and concerts of the Argentine pianist, whose fifth solo release on Alpha this is. His latest venture is a complete recording of the Nocturnes, a highpoint of Chopinesque poetry. These twenty-one miniatures accompanied Chopin over a good part of his life, for he composed them between 1827 and 1848. They are tributes to Italian bel canto, expressing reveries but also complexity of feeling and a profundity that far transcends their apparent simplicity. Nelson Goerner’s feeling for melody and tempo works wonders in these pieces, which he recorded in the ideal surroundings of the Salle de Musique of La Chaux de Fonds (Switzerland).
Contents and tracklist
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
- Nelson Goerner (piano)
- Recorded: April 2017
- Recording Venue: Théâtre Populaire Romand, Salle de Musique, La Chaux-de-Fonds, Switzerland
Spotlight on this release
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Awards and reviews
-
BBC Music MagazineJanuary 2018Instrumental Choice
January 2018
Right from the first bars of the first piece, Op. 9 No. 1, it’s clear that each note has been thought about – and each note’s place in the bigger musical picture…Goerner’s Chopin was special right from the start of his career, but it has matured into something remarkable now…Chopin’s soul seems to be revealed in these warmly recorded performances.
December 2017
Certainly, the impression left by this complete set is one of close personal engagement and a freedom that comes with long association with this music. He’s beautifully recorded too…allowing a haloed sound but plenty of detail in it.
January 2018
Goerner’s way is intelligent and loving: intelligent in the clear acknowledgement of the composer’s debt to Bellini in the vocal qualities of the melodies; loving in the shaping of the pieces themselves.