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Duruflé & Howells: Requiems

Kirsten Sollek (mezzo), Richard Lippold (baritone), Frederick Teardo (organ)

Myron Lutzke (cello)

Saint Thomas Choir of Men and Boys, Fifth Avenue, New York, John Scott

Duruflé & Howells: Requiems
This release of two gems of the choral repertoire, sung with both passion and poise, makes an ideal memorial to conductor John Scott, who died in post in 2015.

Duruflé & Howells: Requiems

Kirsten Sollek (mezzo), Richard Lippold (baritone), Frederick Teardo (organ)

Myron Lutzke (cello)

Saint Thomas Choir of Men and Boys, Fifth Avenue, New York, John Scott

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This release of two gems of the choral repertoire, sung with both passion and poise, makes an ideal memorial to conductor John Scott, who died in post in 2015.

About

The Saint Thomas Choir of Men & Boys, Fifth Avenue, New York with their director John Scott release a compelling recording of the contrasting Requiems by close contemporaries Maurice Duruflé and Herbert Howells.

Completing the album is Ralph Vaughan Williams’s setting of Mr Valiant-for-Truth’s speech from John Bunyan’s The Pilgrim’s Progress.

The final release in this series of recordings from the Saint Thomas Choir of Men & Boys and their late director John Scott.

Contents and tracklist

I. Salvator mundi
Track length2:20
II. Psalm 23
Track length2:30
III. Requiem aeternam I
Track length3:05
IV. Psalm 121
Track length2:45
V. Requiem aeternam II
Track length3:33
VI. I Heard a Voice from Heaven
Track length4:13
I. Introit
Track length3:48
II. Kyrie eleison
Track length3:52
III. Domine Jesu Christe
Track length7:58
IV. Sanctus
Track length3:37
V. Pie Jesu
Track length3:21
VI. Agnus Dei
Track length4:06
VII. Lux aeterna
Track length4:03
VIII. Libera me
Track length5:28
IX. In paradisum
Track length2:57

Awards and reviews

Christmas 2017

This release of two gems of the choral repertoire, sung with both passion and poise, makes an ideal memorial to conductor John Scott, who died in post in 2015.

January/February 2018

Their account of the better- known Duruflé Requiem is nicely shaped. Both soloists are highly accomplished and deliver their contributions with conviction. Scott here gives it a neat, slightly cool reading.

December 2017

The first thing to strike you, as in so many recordings from this series, is the quality of the trebles. The larger forces of Saint Thomas’s Choir…give the sound greater stability and make for a glossier, smoother blend…[The Duruflé] is equally strong, carefully paced and phrased under Scott’s direction to give the plainchant real direction and flow.
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