The word kaleidoscope comes from the Greek: Kalós (beautiful), éidos (image) and scopéo (observe). This recording was made with a view to bringing together a repertoire of a markedly Spanish character. It begins with a work be- longing to Spain’s “painteresque” music move- ment, in vogue at the end of the 19th century, with Memories of Andalusia by Eduardo Ocón; includes the Generation of ‘51 through two of its representatives, Manuel Castillo and Amando Blanquer; and also incorporates the nationalism of Falla and Turina. Original works for the flute and piano by Ocón, Blanquer and Castillo were selected, while compositions by Turina and Fal- la were adapted, respecting the original scores with the utmost care, through a sonorous kalei- doscope in which the music’s colour changes, without shedding its original beauty.