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Amor fatale

Rossini Arias

Marina Rebeka (soprano)

Münchner Rundfunkorchester, Marco Armiliato

Amor fatale
Rebeka finds the emotional depths of Rossini.

Amor fatale

Rossini Arias

Marina Rebeka (soprano)

Münchner Rundfunkorchester, Marco Armiliato

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Rebeka finds the emotional depths of Rossini.

About

Marina Rebeka is one of the most successful sopranos of her generation. To mark the occasion of the upcoming Rossini year of 2018, she and the Münchner Rundfunkorchester, conducted by Marco Armiliato, have recorded an album of highly dramatic opera arias that is now being released by BR-KLASSIK. The album "Amor fatale" offers the opportunity to reacquaint oneself with the great soprano arias from Rossini's less well-known but musically convincing tragic operas, in a fine interpretation.

The concept album entitled "Amor fatal" focuses on powerful female roles from the operas Otello, Armida, La donna del lago (The Lady of the Lake), Maometto II, Semiramide (Semiramis), Moïse et Pharaon (Moses and Pharaoh) and Guillaume Tell (William Tell). The women are obliged to choose between love and duty, and frequently have to subordinate their personal fate to that of their family, nation or homeland.

The Latvian soprano has quite some experience with roles in Rossini, above all from his great tragic operas: the role of Anna Erisso from Maometto II, which she performed in 2008 at the Rossini Opera Festival in Pesaro, the composer’s birthplace, marked the very start of her career. She went on to attract international attention in 2009 when she debuted at the Salzburg Festival, as Anaï in Moïse et Pharaon. For her album she has worked through Rossini's original handwritten manuscripts and included this in her performance; she also developed her own coloratura, which not only suits her voice both musically and technically, but also best corresponds to the specific stage events and emotions encountered in her respective operatic roles.

Contents and tracklist

Moïse et Pharaon, ou Le passage de la Mer Rouge: Quelle horrible destinée! - Grand Dieu! j'implore ta clémence
Track length5:33
Moïse et Pharaon, ou Le passage de la Mer Rouge: Je l'aimais!... je fuis sa présence
Track length2:28
Otello, ossia Il moro di Venezia: Assisa a piè d'un salice
Track length6:56
Semiramide: Bel raggio lusinghier
Track length8:06
Maometto II: Giusto ciel, in tal periglio
Track length3:28
Guillaume Tell: Ils s'éloignent enfin
Track length3:11
Guillaume Tell: Sombre forêt, désert triste et sauvage
Track length4:35
Armida: D'amor al dolce impero
Track length5:57
Maometto II: Quella morte che s'avanza - Invan la perfida
Track length4:52
Maometto II: Sí, ferite, il chieggo, il merto
Track length2:45
Maometto II: Madre, a te che sull'empiro
Track length5:02
Guillaume Tell: Pour notre amour
Track length4:08
Guillaume Tell: Sur la rive étrangère
Track length3:20
La donna del lago: Tanti affetti in tal momento - Fra il padre e fra l’amante
Track length8:13

Spotlight on this release

Awards and reviews

March 2018

Rebeka finds the emotional depths of Rossini.

January 2018

There’s certainly some mightily impressive singing here as she rattles her way through some of the trickiest arias of the bel canto repertoire, and does so with a voice that’s arguably pushing more towards lirico-spinto territory. It’s a big, glossy sound, with an evenly produced- and somewhat uniformly applied – lusciousness of timbre…by any standards an impressive Rossinian calling-card from a formidable singer.

classicalsource.com January 2018

Offering a more muted approach to Anna’s prayer from Moametto II, she clothes the line with expressive intent, while her ‘Sombre forêt is fluent and stylish. Technical skill is also combined with expressive power in the second sequence from Maometto.
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