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Special offer. Palestrina Volume 7

The Sixteen, Harry Christophers

Palestrina Volume 7
These are experienced and accomplished performers, and they employ devices such as dynamic shading either to reflect the character of a piece (subdued tones in the petition to Beata Maria Magdalenas),...

Special offer. Palestrina Volume 7

The Sixteen, Harry Christophers

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CD

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96 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
These are experienced and accomplished performers, and they employ devices such as dynamic shading either to reflect the character of a piece (subdued tones in the petition to Beata Maria Magdalenas),...

About

The Sixteen continues its exploration of Palestrina’s great art with the eagerly anticipated seventh album in the series which includes the Missa Ave Regina caelorum

Palestrina is perhaps the most famous of all Renaissance composers, certainly by name. By his death his reputation outshone all others. His musical legacy is prodigious even by the standards of the time - he wrote over 100 Masses - and he was the first Renaissance composer to have a complete edition of almost his whole output published in modern notation. Today some pieces are quite familiar, others less so, and much of his superb music is almost unknown. The seventh recording in The Sixteen’s celebrated series focuses on some of the pivotal women in Christian history - Mary the mother of Jesus, Mary Magdalene, St Barbara and Susannah.

Contents and tracklist

No. 19, Adjuro vos, filiæ Hierusalem
Track length2:53
No. 20, Caput ejus aurum optimum
Track length2:14
No. 21, Dilectus meus descendit in hortum meum
Track length2:55
I. Kyrie
Track length3:19
II. Gloria
Track length4:54
III. Credo
Track length7:37
IV. Sanctus
Track length1:44
V. Benedictus
Track length2:03
VI. Agnus Dei I & II
Track length4:02

Awards and reviews

November 2017

These are experienced and accomplished performers, and they employ devices such as dynamic shading either to reflect the character of a piece (subdued tones in the petition to Beata Maria Magdalenas), or to make a contrast between sections (as in the Mass)…As always with The Sixteen we get a warm, confident, and atmospheric sound.

November 2017

This selection is especially astute programmatically, with its echoes of the Song of Songs cycle that has been a regular feature of the project from the outset. Most of these motets are on a comparatively large scale, matched by The Sixteen’s comparatively monumental delivery.

February 2019

The Sixteen give Palestrina’s music plenty of time to breathe
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