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Special offer. Verdi: Don Carlo

Michele Pertusi (Philip II), José Bros (Don Carlo), Vladimir Stoyanov (Rodrigo), Ievgen Orlov (The Great Inquisitor), Simon Lim (A monk), Serena Farnocchia (Elisabetta), Marianne Cornetti (Eboli), Lavinia Bini (Tebaldo)

Filarmonica Arturo Toscanini, Teatro Regio di Parma, Daniel Oren

Verdi: Don Carlo
Lievi’s production charts a sensible course between period costumes and minimalist sets…The cast is led by a bright, tireless Don Carlo from José Bros, though one wishes he would vary his volume...

Special offer. Verdi: Don Carlo

Michele Pertusi (Philip II), José Bros (Don Carlo), Vladimir Stoyanov (Rodrigo), Ievgen Orlov (The Great Inquisitor), Simon Lim (A monk), Serena Farnocchia (Elisabetta), Marianne Cornetti (Eboli), Lavinia Bini (Tebaldo)

Filarmonica Arturo Toscanini, Teatro Regio di Parma, Daniel Oren

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3 CDs

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Lievi’s production charts a sensible course between period costumes and minimalist sets…The cast is led by a bright, tireless Don Carlo from José Bros, though one wishes he would vary his volume...

About

First performed in French at the Paris Opera in 1867, Don Carlo is in many ways an amazingly innovative work. The opera seems to underline Verdi’s shift from the Manichean division between good and evil, which had been a clear, structural element of his dramaturgy up to that point in his career. In this opera, Verdi assembles all his mainstay music theatre themes: power, with its honours and burdens; the contrasts of impossible love; the conflict between father and son; and an oppressed people demanding freedom. Verdi radically revised the score in 1883, using an Italian libretto and reducing the opera from five acts to four. The popularity of Don Carlo has grown unremittingly ever since, with today's critics almost unanimously recognising it as one of Verdi’s greatest masterpieces, an opera that continues to reveal new gems. Daniel Oren is fully in control on the podium, ensuring unanimity between orchestra and singers. The Maestro softens the dark tones of the score, which are well reflected in the visuals, choosing instead to emphasise the various changes of mood.

Sung in: Italian

Audio Format: DDD

Recording date & place: October 2016 – Teatro Regio di Parma, Italy

Duration: 173 min.

Notes: Italian / English

Packaging: JEWEL BOX

Contents and tracklist

Don Carlo, Act I: Prelude - Carlo il sommo imperatore (Live)
Track length5:21
Don Carlo, Act I: Io l'ho perduta! (Live)
Track length3:56
Don Carlo, Act I: È lui!... Desso... L'infante! (Live)
Track length8:23
Don Carlo, Act I: Sotto ai folti, immensi abeti (Live)
Track length3:32
Don Carlo, Act I: Nel giardin del bello (Live)
Track length5:09
Don Carlo, Act I: La Regina!... Un'arcana mestizia (Live)
Track length8:34
Don Carlo, Act I: Io vengo a domandar (Live)
Track length10:03
Don Carlo, Act I: Il Re!... Perché sola è la Regina? (Live)
Track length1:15
Don Carlo, Act I: Non pianger, mia compagna (Live)
Track length4:18
Don Carlo, Act I: Restate! Presso alla mia persona (Live)
Track length2:27
Don Carlo, Act I: O signor, di Fiandra arrivo (Live)
Track length9:57
Don Carlo, Act II: Prelude (Live)
Track length2:17
Don Carlo, Act II: A mezzanotte ai giardin della Regina (Live)
Track length5:08
Don Carlo, Act II: Al mio furor sfuggite invano (Live)
Track length3:45
Don Carlo, Act II: Trema per te, falso figliuolo (Live)
Track length3:36
Don Carlo, Act II: Spuntato ecco il dì d'esultanza (Live)
Track length6:17
Don Carlo, Act II: Or la porta s’apra del tempio! (Live)
Track length3:28
Don Carlo, Act II: Sire, no l'ora estrema (Live)
Track length4:36
Don Carlo, Act II: Sire! Egli è tempo ch'io viva (Live)
Track length4:48
Don Carlo, Act III: Ella giammai m'amò! (Live)
Track length10:14
Don Carlo, Act III: Il Grande Inquisitor! (Live)
Track length3:27
Don Carlo, Act III: Nell'ispano suol mai l'eresia dominò (Live)
Track length6:34
Don Carlo, Act III: Giustizia, giustizia, Sire! (Live)
Track length4:47
Don Carlo, Act III: Ah! Sii maledetto, sospetto fatale (Live)
Track length4:11
Don Carlo, Act III: Pietà! Pietà! Perdon! (Live)
Track length3:37
Don Carlo, Act III: Ah! Più non vedrò la Regina!... O don fatale, o don crudel (Live)
Track length5:24
Don Carlo, Act III: Son io, mio Carlo (Live)
Track length3:36
Don Carlo, Act III: Per me giunto è il dì supremo (Live)
Track length4:53
Don Carlo, Act III: O Carlo, ascolta (Live)
Track length3:31
Don Carlo, Act III: Mio Carlo, a te la spada io rendo (Live)
Track length3:24
Don Carlo, Act IV: Tu che le vanità (Live)
Track length10:28
Don Carlo, Act IV: È dessa!... Un detto, un sol (Live)
Track length5:48
Don Carlo, Act IV: Ma lassù ci vedremo (Live)
Track length3:58
Don Carlo, Act IV: Sì, per sempre! (Live)
Track length1:53

Spotlight on this release

Awards and reviews

October 2017

Lievi’s production charts a sensible course between period costumes and minimalist sets…The cast is led by a bright, tireless Don Carlo from José Bros, though one wishes he would vary his volume a little more often…Pertusi’s voice lies too high for Philip but he sings with authority, and Vladimior Stoyanov is a stylish Posa. Marianne Cornetti gives us an imposing, powerfully sung Eboli.

January 2018

The very greatest singing is soprano Serena Farnocchia as Elisabetta. Hers is a lirico spinto voice of tremendous beauty, with brilliant top and with lyrical capacity that allows her to sing ravishing pianissimos.
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