Bach - Secular Cantatas VIII
Celebratory Cantatas
Hana Blažíková (soprano), Hiroya Aoki (alto), Charles Daniels (tenor) & Roderick Williams (bass)
Bach Collegium Japan, Masaaki Suzuki
Awards:
-
Gramophone Magazine, August 2017, Editor's Choice
Both the gentleness and ecstatic immediacy of Bach’s rich imagery become apparent at the outset and each movement is performed at a compellingly high level. The liquid and brilliantly projected...
Bach - Secular Cantatas VIII
Celebratory Cantatas
Hana Blažíková (soprano), Hiroya Aoki (alto), Charles Daniels (tenor) & Roderick Williams (bass)
Bach Collegium Japan, Masaaki Suzuki
Purchase product
Awards:
-
Gramophone Magazine, August 2017, Editor's Choice
Both the gentleness and ecstatic immediacy of Bach’s rich imagery become apparent at the outset and each movement is performed at a compellingly high level. The liquid and brilliantly projected...
About
Besides the fact that they both celebrate Augustus III, Elector of Saxony and King of Poland, there is a close connection between the two works included on the eighth volume of Bach's secular cantatas. On October 2nd, 1734, the King and his family made a surprise visit to Leipzig, and in all haste a festive event was planned for three days later, in celebration of the anniversary of Augustus's ascension to the Polish throne. Bach was asked to provide the musical entertainment, and consequently had to put aside the work he was busy composing...namly BWV 206 ''Schleicht, spielende Wellen'', intended for a celebration of the King's birthday on October 7th! The new cantata, Preise dein Glucke, gesegnetes Sachsen, BWV 215, is a substantial work, and it is not surprising that Bach, with only a few days to produce it, had recourse to earlier compositions: the only parts that were written completely from scratch were the recitatives, the soprano aria and the final chorus. In the meantime, BWV 206 - the birthday cantata that Bach had to put on hold - came to good use two years later, when the King's birthday was celebrated with a concert at Zimmermann's coffee house in Leipzig. Both works are richly scored with trumpets and timpani, and here receive suitably festive performances form Bach Collegium Japan and Masaaki Suzuki.
Contents and tracklist
- Roderick Williams (bass), Charles Daniels (tenor), Ryo Terakado (violin), Hiroya Aoki (countertenor), Hana Blažiková (soprano)
- Bach Collegium Japan Chorus, Bach Collegium Japan
- Masaaki Suzuki
- Recorded: February 2016
- Recording Venue: Saitama Arts Theater, Concert Hall, Japan
- Charles Daniels (tenor), Roderick Williams (bass), Hana Blažiková (soprano)
- Bach Collegium Japan Chorus, Bach Collegium Japan
- Masaaki Suzuki
- Recorded: February 2016
- Recording Venue: Saitama Arts Theater, Concert Hall, Japan
Awards and reviews
-
Gramophone MagazineAugust 2017Editor's Choice
August 2017
Both the gentleness and ecstatic immediacy of Bach’s rich imagery become apparent at the outset and each movement is performed at a compellingly high level. The liquid and brilliantly projected bass-singing of Roderick Williams is simply majestic...After 22 years of intensive Bach recording, Suzuki and his forces just seem to get better.
February 2019
Suzuki himself directs the whole thing with great grace and even the odd touch of humour. In short, a great success.