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Bach - Secular Cantatas VIII

Celebratory Cantatas

Hana Blažíková (soprano), Hiroya Aoki (alto), Charles Daniels (tenor) & Roderick Williams (bass)

Bach Collegium Japan, Masaaki Suzuki

Bach - Secular Cantatas VIII

Awards:

Both the gentleness and ecstatic immediacy of Bach’s rich imagery become apparent at the outset and each movement is performed at a compellingly high level. The liquid and brilliantly projected...

Bach - Secular Cantatas VIII

Celebratory Cantatas

Hana Blažíková (soprano), Hiroya Aoki (alto), Charles Daniels (tenor) & Roderick Williams (bass)

Bach Collegium Japan, Masaaki Suzuki

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Awards:

Both the gentleness and ecstatic immediacy of Bach’s rich imagery become apparent at the outset and each movement is performed at a compellingly high level. The liquid and brilliantly projected...

About

Besides the fact that they both celebrate Augustus III, Elector of Saxony and King of Poland, there is a close connection between the two works included on the eighth volume of Bach's secular cantatas. On October 2nd, 1734, the King and his family made a surprise visit to Leipzig, and in all haste a festive event was planned for three days later, in celebration of the anniversary of Augustus's ascension to the Polish throne. Bach was asked to provide the musical entertainment, and consequently had to put aside the work he was busy composing...namly BWV 206 ''Schleicht, spielende Wellen'', intended for a celebration of the King's birthday on October 7th! The new cantata, Preise dein Glucke, gesegnetes Sachsen, BWV 215, is a substantial work, and it is not surprising that Bach, with only a few days to produce it, had recourse to earlier compositions: the only parts that were written completely from scratch were the recitatives, the soprano aria and the final chorus. In the meantime, BWV 206 - the birthday cantata that Bach had to put on hold - came to good use two years later, when the King's birthday was celebrated with a concert at Zimmermann's coffee house in Leipzig. Both works are richly scored with trumpets and timpani, and here receive suitably festive performances form Bach Collegium Japan and Masaaki Suzuki.

Contents and tracklist

No. 1, Schleicht, spielende Wellen!
Track length6:12
No. 2, O glückliche Veränderung!
Track length1:29
No. 3, Schleuß des Janustempels Türen
Track length4:16
No. 4, So recht, beglückter Weichselstrom!
Track length1:39
No. 5, Jede Woge meiner Wellen
Track length6:52
No. 6, Ich nehm zugleich an deiner Freude teil
Track length1:08
No. 7, Reis, von Habsburgs hohem Stamme
Track length5:49
No. 8, Verzeiht, bemooste Häupter starker Ströme
Track length1:58
No. 9, Hört doch der sanften Flöten Chor
Track length3:20
No. 10, Ich muss, ich will gehorsam sein
Track length1:35
No. 11, Die himmlische Vorsicht der ewigen Güte
Track length3:31
No. 1, Preise dein Glücke, gesegnetes Sachsen
Track length7:38
No. 2, Wie konnen wir, Grossmachtigster August
Track length1:13
No. 3, Freilich trotzt Augustus' Name
Track length7:03
No. 4, Was hast dich sonst, Sarmatien, bewogen
Track length1:55
No. 5, Rase nur, verwegner Schwarm
Track length3:41
No. 6, Ja, ja! Gott ist uns noch mit seiner Hülfe nah
Track length1:21
No. 7, Durch die von Eifer entflammeten Waffen
Track length3:58
No. 8, Lass doch, o teurer Landesvater, zu
Track length2:45
No. 9, Stifter der Reiche, Beherrscher der Kronen
Track length2:53

Awards and reviews

  • Gramophone Magazine
    August 2017
    Editor's Choice

August 2017

Both the gentleness and ecstatic immediacy of Bach’s rich imagery become apparent at the outset and each movement is performed at a compellingly high level. The liquid and brilliantly projected bass-singing of Roderick Williams is simply majestic...After 22 years of intensive Bach recording, Suzuki and his forces just seem to get better.

February 2019

Suzuki himself directs the whole thing with great grace and even the odd touch of humour. In short, a great success.
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