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Thoughts Observed

Yaniv d’Or (countertenor) & Dan Deutsch (piano)

Thoughts Observed
Most successful are the Poulenc items, especially the early cycle Le Bestiaire – heard in the composer’s own arrangement of the original for voice and ensemble – to which d’Or brings the appropriate...

Thoughts Observed

Yaniv d’Or (countertenor) & Dan Deutsch (piano)

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Most successful are the Poulenc items, especially the early cycle Le Bestiaire – heard in the composer’s own arrangement of the original for voice and ensemble – to which d’Or brings the appropriate...

About

After exploring the music of his Sephardic ancestry on the acclaimed recording Latino Ladino (Naxos 857366), Yaniv d’Or brings a refreshing perspective to the Dichterliebe from Schumann’s proverbial ‘year of song.’ French songs of the 19th and 20th centuries offer d’Or’s exotic voice further dimensions in the floating harmonies of the young Duparc and Debussy, including Reynaldo Hahn’s beautiful Bach pastiche, and concluding with the classical simplicity of Poulenc’s first songs. The unique countertenor voice of Yaniv d’Or has confirmed his status as one of the rising stars of the modern international music scene. He studied at the Guildhall School of Music and Drama in London, receiving the International Vocal Art Institution Prize and the Gottesman Award. Making his debut as Tolomeo in Giulio Cesare for Gothenberg Opera, and at the Teatro dell’Opera di Roma as Elbas in Journey to the End of the Millennium by Bardanashvili, he received critical acclaim. Other roles include Artemis, Orfeo, Delfa, Melindo and Jehoyakim. He is currently collaborating with Drottningholms Slottsteater on a newly constructed opera of Salomone Rossi’s life. He has performed widely throughout Europe, has appeared in recital at Versailles Palace and regularly appears at Wigmore Hall. He is the recipient of a Gramophone Award for his album Liquefacta Est… with Ensemble NAYA on Naxos.

Contents and tracklist

No. 1, Im wunderschönen Monat Mai
Track length1:26
No. 2, Aus meinen Tränen sprießen
Track length0:53
No. 3, Die Rose, die Lilie
Track length0:36
No. 4, Wenn ich in deine Augen seh'
Track length1:46
No. 5, Ich will meine Seele tauchen
Track length1:00
No. 6, Im Rhein, im heiligen Strome
Track length2:16
No. 7, Ich grolle nicht
Track length1:34
No. 8, Und wüßten's die Blumen
Track length1:13
No. 9, Das ist ein Flöten und Geigen
Track length1:24
No. 10, Hör' ich das Liedchen klingen
Track length2:17
No. 11, Ein Jüngling liebt ein Mädchen
Track length1:03
No. 12, Am leuchtenden Sommermorgen
Track length2:33
No. 13, Ich hab' im Traum geweinet
Track length2:08
No. 14, Allnächtlich im Traume
Track length1:16
No. 15, Aus alten Märchen winkt es
Track length2:25
No. 16, Die alten, bösen Lieder
Track length4:40
No. 1, L'âme évaporée, L. 78
Track length1:52
No. 1, Le dromadaire
Track length1:11
No. 2, Le chèvre du Thibet
Track length0:45
No. 3, La sauterelle
Track length0:22
No. 4, Le dauphin
Track length0:25
No. 5, L'écrevisse
Track length0:46
No. 6, La carpe
Track length1:27
No. 2, Vous n'écrivez plus?
Track length0:50

Awards and reviews

October 2017

Most successful are the Poulenc items, especially the early cycle Le Bestiaire – heard in the composer’s own arrangement of the original for voice and ensemble – to which d’Or brings the appropriate element of boulevardier wit, and the simple eloquence of his interpretation of the Charles d’Orléans text, ‘Priez pour paix.’ Throughout, Dan Deutsch’s considered accompaniments are finely judged

October 2017

Yaniv d’Or sings it with lovely tone…I’m looking forward to hearing Yaniv d’Or again, and I am convinced many readers will find a lot to admire in this programme.
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