Fantasien
Anna Tsybuleva (piano)
Tsybuleva delivers [CPE Bach’s Fantasie] brilliantly, with its opening exquisitely ruminative, and its frantically busy figurations alternating with a sense of wonderment, as though we are exploring...
Fantasien
Anna Tsybuleva (piano)
Purchase product
Tsybuleva delivers [CPE Bach’s Fantasie] brilliantly, with its opening exquisitely ruminative, and its frantically busy figurations alternating with a sense of wonderment, as though we are exploring...
About
Following her first prize win at the 2015 Leeds International Piano Competition, Russian-born Anna Tsybuleva releases her debut solo recording with Champs Hill Records as part of her prize. The album showcases four fantasy-themed works by CPE bach, Beethoven, Schubert and Brahms. Tsybuleva says of her passion for fantasies: ''Ever since my childhood I have loved to fantasise, the absence of borders in our dreams has always appealed to me. In our mind's eye, we can cover the whole world in the snap of a finger. I think everyone regardless of age or profession, can at least once in a lifetime imagine themselves philosophers, able to find answers to life's most difficult questions.'' Anna Tsybuleva began studying the piano at the age of six with her mother, Svetlena Tsybuleva, later continuing her studies at the Moscow Conservatory with Ludmila Roschina and the Basel Music Academy with Claudio Martinez.
Contents and tracklist
Awards and reviews
September 2017
Tsybuleva delivers [CPE Bach’s Fantasie] brilliantly, with its opening exquisitely ruminative, and its frantically busy figurations alternating with a sense of wonderment, as though we are exploring an unknown terrain for the first time
August 2017
These compositions add up to a well-contrasted and stimulating totality, abetted by Anna Tsybuleva’s superb pianism and intelligent musicianship
January 2018
Entitled Fantasien Anna Tsybuleva’s enterprising recital reflects a pianist of rare gifts. Without forcing pace or sonority but with an easy mastery, Tsybuleva makes her purely musical concern in the Schubert clear in every bar, a far cry from other high-octane virtuoso performances. Not since Murray Perahia’s triumph in 1972 has Leeds had a winner of this musical poise and calibre.