Set upon the Rood
New music for Choir & Ancient Instruments
Barnaby Brown (triplepipes, aulos), Biil Taylor (lyre), John & Patrick Kenny (chimes)
Choir Of Gonville & Caius College, Cambridge, Geoffrey Webber
Triplepipe, aulos, carnyx and Loughnashade horn: the odds are firmly against you ever having heard these dinosaurs of musical instrument history in action. This intriguing CD resurrects their...
Set upon the Rood
New music for Choir & Ancient Instruments
Barnaby Brown (triplepipes, aulos), Biil Taylor (lyre), John & Patrick Kenny (chimes)
Choir Of Gonville & Caius College, Cambridge, Geoffrey Webber
Purchase product
Triplepipe, aulos, carnyx and Loughnashade horn: the odds are firmly against you ever having heard these dinosaurs of musical instrument history in action. This intriguing CD resurrects their...
About
Three years after the runaway success of In Praise of St Columba, its previous collaboration with piper Barnaby Brown, the ever-innovative Choir of Gonville & Caius College, Cambridge reunites with Brown – now also joined by lyre player Bill Taylor and ancient brass specialists John and Patrick Kenny. All four are members of the European Music Archaeology Project, whose own ongoing collaboration with Delphian has captivated listeners and reviewers with its glimpses of the sound of Europe’s ancient instruments. Here, those extraordinary sonorities blend with and emerge around the Caius singers’ committed contributions in seven richly conceived new pieces; a world premiere commission by Sir James MacMillan sets up the Celtic theme. Stevie Wishart writes: “Composing new music for ancient instruments is very much part of my work as a composer. I like building on and learning from music traditions of the past, especially as it is these old instruments that can sound new to our ears today, but as forgotten friends rather than strangers from the future.” This recording is dedicated to the memory of John Chumrow OBE, whose financial support made this project possible.
Contents and tracklist
- Barnaby Brown (triplepipe), James Leitch (organ)
- The Choir of Gonville & Caius College Cambridge
- Geoffrey Webber
- Recorded: 29-31 August 2016
- Recording Venue: Chapel of Merton College, Oxford, UK
- John Kenny (Loughnashade horn), James Leitch (crotales), Michael How (crotales), Patrick Kenny (carnyx)
- The Choir of Gonville & Caius College Cambridge
- Geoffrey Webber
- Recorded: 29-31 August 2016
- Recording Venue: Chapel of Merton College, Oxford, UK
- Clare Lloyd Griffiths (soprano), Catherine Harrison (soprano), Nathan Mercieca (alto), James Robinson (tenor), Malachy Frame (bass), Bill Taylor (lyre)
- The Choir of Gonville & Caius College Cambridge
- Geoffrey Webber
- Recorded: 29-31 August 2016
- Recording Venue: Chapel of Merton College, Oxford, UK
- Clover Willis (soprano), Humphrey Thompson (baritone), Bill Taylor (lyre)
- Recorded: 29-31 August 2016
- Recording Venue: Chapel of Merton College, Oxford, UK
- Polly Furness (soprano), Eleanor Walder (soprano), Clover Willis (soprano), Aleksandra Wittchen (soprano), Corinne Hull (alto), Alice Webster (alto), Stephen Bick (tenor), Humphrey Thompson (bass), Barnaby Brown (triplepipe)
- The Choir of Gonville & Caius College Cambridge
- Geoffrey Webber
- Recorded: 29-31 August 2016
- Recording Venue: Chapel of Merton College, Oxford, UK
- Clover Willis (soprano), Corinne Hull (alto), Kavi Pau (tenor), Bill Taylor (lyre), Michael How (organ)
- The Choir of Gonville & Caius College Cambridge
- Geoffrey Webber
- Recorded: 29-31 August 2016
- Recording Venue: Chapel of Merton College, Oxford, UK
- Stephen Bick (baritone), Barnaby Brown (aulo), Bill Taylor (lyre)
- The Choir of Gonville & Caius College Cambridge
- Geoffrey Webber
- Recorded: 29-31 August 2016
- Recording Venue: Chapel of Merton College, Oxford, UK
Awards and reviews
October 2017
Triplepipe, aulos, carnyx and Loughnashade horn: the odds are firmly against you ever having heard these dinosaurs of musical instrument history in action. This intriguing CD resurrects their sounds, in works by seven contemporary composers…the Gonville and Caius Choir responds with élan and versatility to the constantly shifting demands…their effort is worth it: genuinely new sounds and combinations are created in this shape-shifting project
July 2017
The performers throw themselves into everything with attention-grabbing fervour. Singing that impresses with great intensity, accuracy and often quite terrific power (theatrical opportunities are gleefully exploited) does full justice to all, including outstanding works by James MacMillan and Stuart MacRae