Special offer. Thousands of Miles
Kate Lindsey (mezzo), Baptiste Trotignon (piano)
Awards:
-
The New York Times, Recordings of the Year 2017
Billed as ‘Kate Lindsey with Baptiste Trotignon’, it reveals the jazz pianist, who shows luminous classical credentials here too, as equal to the mezzo’s multi-hued originality…I’d like to hear...
Special offer. Thousands of Miles
Kate Lindsey (mezzo), Baptiste Trotignon (piano)
Purchase product
Awards:
-
The New York Times, Recordings of the Year 2017
Billed as ‘Kate Lindsey with Baptiste Trotignon’, it reveals the jazz pianist, who shows luminous classical credentials here too, as equal to the mezzo’s multi-hued originality…I’d like to hear...
About
Closing the distance between classical music and Broadway, between the old world and the new, this album is born out of a stunning encounter between two performers. Kate Lindsey is an opera star whose career is skyrocketing. She has stunned audiences with her performances of Mozart and Purcell. Baptiste Trotignon is a multi award-winning jazz pianist who plays with big names like Brad Mehldau or Tom Harrell, but who has a long-held interest in classical music, even composing a piano concerto for Nicholas Angelich. Together, they have produced a rich and varied programme around the songs of Kurt Weill, from Nanna’s Lied to Trouble Man, and classics from The Threepenny Opera and Lost in the Stars.
This journey through three European languages brings the listener to the very beginnings of jazz, and features all-new arrangements and deft improvisations by pianist Baptiste Trotignon. Lindsey and Trotignon also pay homage to three composers who, like Weill, all emigrated to the United States: Alma Mahler, Zemlinsky and Korngold. London-based American mezzo-soprano Kate Lindsey joins Alpha Classics for several recordings over the coming years.
Contents and tracklist
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
- Kate Lindsey, Baptiste Trotignon
- Recorded: 29-31 March 2016
- Recording Venue: Teldex Studio, Berlin, Germany
Spotlight on this release
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Awards and reviews
-
The New York TimesRecordings of the Year 2017
October 2017
Billed as ‘Kate Lindsey with Baptiste Trotignon’, it reveals the jazz pianist, who shows luminous classical credentials here too, as equal to the mezzo’s multi-hued originality…I’d like to hear more of Lindsey and Trotignon together in this repertoire
15th June 2017
Here’s an opera-singer-goes-off-piste CD that’s unusually rewarding...Lindsey’s assimilation of the style sounds near effortless, and only occasionally does she give the feeling she has anything to prove. The first song, Nanna’s Lied, has her voice turning on a sixpence from Weimar drawl to a Lieder-singer’s poise and back again.
19th May 2017
Lindsey never sounds as if she’s dragging her voice anywhere it doesn’t want to go. She is incisive with text, in German and English alike...All told, Lindsey finds a lot more to Weill than just rasping dames in fishnet tights.
New York Times 13th December 2017
Lindsey shows just how nimble her voice can be with this diverse collection of 20th-century songs.
Opera Now July 2017
The range Kate Lindsey displays on her new disc Thousands of Miles is astonishingly varied. The recital is a brilliant Vienna Secession-meets-jazz-meets-Broadway programme of Weill, Zemlinsky and Korngold
Record Review 3rd June 2017
Heart stoppingly beautiful. It's a superb recital of Weill songs