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Graun: Opera Arias

Julia Lezhneva (soprano)

Concerto Köln, Mikhail Antonenko

Graun: Opera Arias

Awards:

Lezhneva often scintillates. Using her instrument and extemporisations to breathe life into her characters

Graun: Opera Arias

Julia Lezhneva (soprano)

Concerto Köln, Mikhail Antonenko

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96 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Lezhneva often scintillates. Using her instrument and extemporisations to breathe life into her characters

About

A journey of discovery for Lezhneva, who spent days in a Berlin library unearthing this music: incredible undiscovered arias from Carl Heinrich Graun (1704-1759), one of the most important German composers of Italian baroque opera but almost unknown today. Music of great virtuosity: vibrant, joyful and fiery arias contrast with tragic and deeply felt laments.

Concerto Köln, one of Germany’s finest period instrument orchestras, are led by young conductor (and pianist) Mikhail Antonenko and feature an array of world-class baroque musicians including violinist Dmitry Sinkovsky and lutenist Luca Pianca.

11 World Premiere Recordings.

Contents and tracklist

"Sento una pena"
Track length4:13
"Sforzero d'avverso mare"
Track length5:09
"Senza di te, mio bene"
Track length7:23
"La gloria t'invita"
Track length4:13
"Piangete, o mesti lumi"
Track length7:40
"Parmi, ah no! Pur troppo, o Dio!"
Track length4:34
Sinfonia
Track length2:47
"Il mar s'inalza e freme"
Track length6:02
"D'ogni aura al mormorar"
Track length7:22
"No, no di Libia fra l'arene"
Track length3:14
"A tanti pianti miei"
Track length5:16
"Mi paventi il figlio indegno"
Track length7:13

Spotlight on this release

Awards and reviews

  • Opus Klassik Awards
    2018
    Winner - Solo Recording (Opera Arias)

October 2017

Lezhneva often scintillates. Using her instrument and extemporisations to breathe life into her characters

20th April 2017

Antonenko and his energetic Concerto Köln set mercilessly swift tempos throughout...Lezhneva, for her part, dispatches barrages of notes as fluently as if she were sitting picking them out on the piano...Yet she’s expressive throughout; she may not sing the text very clearly, but she’s still responsive to it.

21st April 2017

Lezhneva, still in her twenties, throws herself at this repertoire with the healthy appetite and frenetic hyperactivity of a pedigree puppy. Equipped with phaser-gun trills, a range that happily devours the music of the stratosphere and tremendous vocal agility, the Russian has a formidable instrument.
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