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Golijov: Azul

Yo-Yo Ma (cello), Michael Ward-Bergeman (hyper-accordian), Jamey Haddad (percussion) & Cyro Baptista (percussion)

The Knights, Eric Jacobsen

Golijov: Azul
[The Knights] has evolved into one of the most intriguing and dynamic advocates for music of our time, particularly devoted to what is emerging as a new formal style: sonic landscapes that are...

Golijov: Azul

Yo-Yo Ma (cello), Michael Ward-Bergeman (hyper-accordian), Jamey Haddad (percussion) & Cyro Baptista (percussion)

The Knights, Eric Jacobsen

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This release includes a digital booklet

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[The Knights] has evolved into one of the most intriguing and dynamic advocates for music of our time, particularly devoted to what is emerging as a new formal style: sonic landscapes that are...

About

Azul, the evocative Spanish word for ‘blue’, is the title of the contemplative cello concerto by Argentinian composer Osvaldo Golijov. It forms the centrepiece of this album by Brooklyn-based orchestral collective The Knights, which takes the skies as its theme. Today’s most celebrated cellist, Yo-Yo Ma, joins The Knights for the concerto and for a transcription of Dvořák’s poignant ‘Song to the Moon’. The diverse and fascinating programme is completed with music by the contemporary Iranian composer Siamak Aghae, visionary avant-gardist Karlheinz Stockhausen and eclectic singer-songwriter Sufjan Stevens.

Contents and tracklist

I. Paz Sulfúrica
Track length6:33
II. Silencio
Track length6:50
III. Transit
Track length6:41
IV. Yrushalem
Track length8:13
I. Year of the Ox (Arr. Atkinson for Orchestra)
Track length3:25
II. Enjoy Your Rabbit (Arr. Atkinson for Orchestra)
Track length3:01
III. Year of Our Lord (Arr. Atkinson for Orchestra)
Track length5:17
IV. Year of the Boar (Arr. Atkinson for Orchestra)
Track length2:48

Spotlight on this release

Awards and reviews

May 2017

[The Knights] has evolved into one of the most intriguing and dynamic advocates for music of our time, particularly devoted to what is emerging as a new formal style: sonic landscapes that are generally lush, lyrical, eclectic in instrumentation and melodic forms, and given to the expansive and hypnotic vistas of minimalism without the strict dependence on repetition
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