Rhona Clarke: A Different Game
The Fidelio Trio
[The Fourth Trio] was written for the Fidelio Trio, whose expertise is second to none among present-day ensembles. The programme works well as a sequence too…[this is] a disc that does Clarke’s...
Rhona Clarke: A Different Game
The Fidelio Trio
Purchase product
[The Fourth Trio] was written for the Fidelio Trio, whose expertise is second to none among present-day ensembles. The programme works well as a sequence too…[this is] a disc that does Clarke’s...
About
Rhona Clarke is one of the Irish composers living in a shadow – the perception that Irish music consists only of stepdancing, jigs and reels. Our ongoing series of Irish music albums should demonstrate that fallacy. Clarke’s work is eclectic, brilliant and varied – from relatively ‘tough’ constructs to quite tonal works with influences of jazz. Her Piano Trio No. 2 appeared on the previous Métier release ‘Dancing in Daylight’, prompting one review to hope for a whole album devoted to her work – here it is. As well as three full pieces for Piano Trio, there are three for members of the ensemble.
Apart from the said No. 2 Trio, all the works here are receiving the first recording.
The Fidelio Trio continues to gain an ever more positive reputation as one of Europe’s most skilful and innovative ensembles, and is also gaining quite a following in the USA. They record for Naxos, NMC, Resonus, Delphian and Col Legno as well as Métier.
Contents and tracklist
- Fidelio Trio
- Mary Dullea
- Recorded: 22-24 August 2016
- Recording Venue: Sonic Arts Research Centre, Belfast, Ireland, United Kingdom
- Fidelio Trio
- Rhona Clarke, Darragh Morgan, Adi Tal
- Recorded: 22-24 August 2016
- Recording Venue: Sonic Arts Research Centre, Belfast, Ireland, United Kingdom
- Fidelio Trio
- Adi Tal
- Recorded: 22-24 August 2016
- Recording Venue: Sonic Arts Research Centre, Belfast, Ireland, United Kingdom
Awards and reviews
May 2017
[The Fourth Trio] was written for the Fidelio Trio, whose expertise is second to none among present-day ensembles. The programme works well as a sequence too…[this is] a disc that does Clarke’s profile no harm at all