Schubert: Winterreise D911
Matthias Goerne (baritone) & Markus Hinterhäuser (piano)
It’s fascinating viewing, by turns enchanting and disquieting, but you might, as I did, find your eye simply being drawn back to Goerne. He sings the cycle now with a new and powerful tragic...
Schubert: Winterreise D911
Matthias Goerne (baritone) & Markus Hinterhäuser (piano)
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It’s fascinating viewing, by turns enchanting and disquieting, but you might, as I did, find your eye simply being drawn back to Goerne. He sings the cycle now with a new and powerful tragic...
About
Franz Schubert´s Winterreise engages with its audience in a new and unexpected form. Matthias Goerne, 'the voice of perfection' (Le Figaro), pianist Markus Hinterhäuser and South African director, set designer and theatrical artist William Kentridge joined forces on stage and traced newly imagined, deeply moving images. In short animated films, Kentridge visualises Goerne’s and Hinterhäuser’s sonic contribution. A memorable meeting 'of melancholy and magic' (La Marseillaise). 'Mr. Kentridge’s 24 stop-action films - made up of animated ink drawings and collages - offer a visually mesmerising and thought-provoking commentary on Schubert’s song cycle' (New York Times). 'There is an unusual robustness to his (Matthias Goerne´s) wanderer, infused by the virile beauty of his powerful baritone' (New York Times).
Documentary: A TRIO FOR SCHUBERT feat. Interviews with W. Kentridge, M. Goerne and M. Hinterhäuser
Running Time Total: 138 Minutes (Concert 85’ + Doc 53’)
Picture 16:9, HD
Sound BD: PCM Stereo
Subtitles German (original language), English, French, Spanish, Chinese, Korean, Japanese Doc: German, English, Korean, Japanese
Contents and tracklist
- Festival d’Aix-en-Provence, France, July 2015
- Matthias Goerne (baritone) & Markus Hinterhäuser (piano)
Spotlight on this release
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Awards and reviews
May 2017
It’s fascinating viewing, by turns enchanting and disquieting, but you might, as I did, find your eye simply being drawn back to Goerne. He sings the cycle now with a new and powerful tragic gravity, matched every weary trudge of the way by Hinterhäuser’s intelligent and supportive playing