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Lucrezia Borgia's Daughter

Princess, Nun and Musician: Motets from a 16th century convent

Musica Secreta & Celestial Sirens

Their hypnotic polyphony and static harmonies evoke a world of intense spiritual contemplation, and despite fleeting echoes of Josquin…the quirky use of dissonance suggests a composer outside...

Lucrezia Borgia's Daughter

Princess, Nun and Musician: Motets from a 16th century convent

Musica Secreta & Celestial Sirens

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Their hypnotic polyphony and static harmonies evoke a world of intense spiritual contemplation, and despite fleeting echoes of Josquin…the quirky use of dissonance suggests a composer outside...

About

Suor Leonora d’Este (1515–1575), Lucrezia Borgia’s daughter, was a princess, a nun, and a musician. She left little to illuminate her history, but an obscure book of motets may at least help us understand her musical life: the Musica quinque vocum motteta materna lingua vocata, published in Venice in 1543. The book is anonymous, but it contains clues to its origins that lead us to the door of Leonora d’Este’s home, the convent of Corpus Domini in Ferrara, perhaps even suggesting that she was its unidentified composer.

This music is the earliest published polyphony for nuns. This recording by Musica Secreta and Celestial Sirens allows it to be heard for the first time through carefully researched performances.

Contents and tracklist

No. 1, Tribulationes civitatum audivimus
Track length5:38
No. 2, Suscipe verbum Virgo Maria
Track length4:01
No. 3, Haec dies
Track length5:57
No. 4, Ego sum panis vitae
Track length5:50
No. 5, O salutaris hostia
Track length3:03
No. 6, Veni sponsa Christi
Track length1:44
No. 7, Salve sponsa Dei
Track length2:06
No. 8, Hodie Simon Petrus
Track length3:01
No. 9, Ave sanctissima Maria
Track length2:59
No. 10, Sicut lilium
Track length1:49
No. 11, Angelus Domini descendit
Track length12:36
No. 12, Felix namque es sacra
Track length3:58
No. 13, Angustie mihi sunt undique
Track length3:21
No. 14, O beate Christi confessor
Track length3:49
No. 15, Iste est Johannes
Track length7:45
No. 16, Angeli, archangeli, troni
Track length5:34

Awards and reviews

May 2017

Their hypnotic polyphony and static harmonies evoke a world of intense spiritual contemplation, and despite fleeting echoes of Josquin…the quirky use of dissonance suggests a composer outside the musical mainstream…the recorded balance, too, offers different perspectives on these aptly chaste and seraphic performances

10th March 2017

The music – for five equal voices (of unspecified sex) – is astonishingly beautiful and yet strange, radical even...Often they seem closer to the music of our own times’ John Tavener than Palestrina: five voices weaving hypnotically around each other, pulling the listener in.
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