Bellini: Adelson & Salvini
Daniela Barcellona (Nelly), Enea Scala (Salvini), Maurizio Muraro (Bonifacio), Leah-Marian Jones (Madame Rivers), Simone Alberghini (Lord Adelson), Kathryn Rudge (Fanny), Rodion Pogossov (Struley), David Soar (Geronio)
BBC Symphony Orchestra, Opera Rara Chorus, Daniele Rustioni
The young conductor Daniele Rustioni conducts Adelson as if it were a masterpiece, and the forces at his disposal respond appropriately
Bellini: Adelson & Salvini
Daniela Barcellona (Nelly), Enea Scala (Salvini), Maurizio Muraro (Bonifacio), Leah-Marian Jones (Madame Rivers), Simone Alberghini (Lord Adelson), Kathryn Rudge (Fanny), Rodion Pogossov (Struley), David Soar (Geronio)
BBC Symphony Orchestra, Opera Rara Chorus, Daniele Rustioni
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The young conductor Daniele Rustioni conducts Adelson as if it were a masterpiece, and the forces at his disposal respond appropriately
About
On Friday 3 March, Opera Rara releases Bellini’s first opera Adelson e Salvini, written in 1825 while the composer was still a student at the Naples Conservatory. Marking the company’s third complete opera recording by Bellini, following La straniera and Il Pirata, up and coming bel canto specialist Daniele Rustioni leads the BBC Symphony Orchestra in their fourth collaboration with Opera Rara. Daniela Barcellona sings the role of Nelly and is joined by Enea Scala as Salvini and Simone Alberghini as Lord Adelson.
Inspired by Baculard d’Arnaud’s 1772 series of novellas, Les Épreuves du sentiment, Adelson e Salvini was so popular that the students of the Naples Conservatory performed it every Sunday for a year and its impact was such that the intendant of the Teatro di San Carlo immediately commissioned Bellini’s first professional opera. While the influence of the older composer Rossini is evident, Adelson e Salvini exhibits a young Bellini already in the midst of developing his very own original style. Several revisions were made to this student work in the years followings its first performances but it was not until 1985 when Adelson e Salvini was staged by the Teatro Metropolitan in the composer’s hometown of Catania that the work received its first professional performance.
Opera Rara’s revival of Adelson e Salvini is based on a new critical edition using Bellini’s original score. The opera was recorded in the studio a week prior to a concert performance given at the Barbican last May. As The Observer commented, “Opera Rara, busy since the 1970s unearthing forgotten operas, chose Adelson e Salvini for a second, fruitful collaboration this season with the BBC Symphony Orchestra... Energy exploded from [Daniele Rustioni’s] every limb, eliciting spry, lively playing from the BBCSO even in rumpty-tum longueurs...”
Contents and tracklist
- Daniela Barcellona, Maurizio Muraro, Enea Scala, Kathryn Rudge, Leah-Marian Jones, Rodion Pogossov, Simone Alberghini, David Soar
- BBC Symphony Orchestra
- Daniele Rustioni
- Daniela Barcellona, Maurizio Muraro, Enea Scala, Rodion Pogossov
- BBC Symphony Orchestra
- Daniele Rustioni
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Daniele Rustioni on Bellini's Adelson e Salvini
2nd Mar 2017
The young Italian conductor talks to Katherine about recording Bellini's first opera, due for release tomorrow on Opera Rara.
Awards and reviews
June 2017
The young conductor Daniele Rustioni conducts Adelson as if it were a masterpiece, and the forces at his disposal respond appropriately
May 2017
The singing is impressive…Enea Scala, a light tenor with a touch of metal at the top, does a terrific job as the temperamental artist…Rodion Pogossov has a nice bite to the voice as the wicked Struley and Maurizio Muraro enjoys himself enormously as the Rossinian buffo character, Bonifacio
6th April 2017
With this recording Opera Rara continues its mission to promote excellent recordings of forgotten operas, mainly bel canto repertoire of the ninetieth century. Daniele Rustioni’s well prepared cast excels and the advantage of having native Italian speakers in the principal roles is very evident.
19th February 2017
the young conductor pinpoints the lyrical cantilena – so much admired by Wagner – that distinguishes Bellini’s bel canto from that of Rossini or Donizetti...The principals here are mostly Italian and bel canto specialists... giving the set an authentic flavour. Rustioni’s idiomatic style sets the seal on its success.
Classical Music April 2017
Bellini’s first opera is a belter!...the manner in which he juggles a complex bitter-sweet comedy-drama is masterly, so a recording of this quality is much to be welcomed…Barcellona’s heroine Nelly and Scala's dashing Salvini stand out: the former dignified yet melting, the latter stratospheric; while the electricity Rustioni generates from the podium is striking. Excellent sound and presentation.
