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à la russe

Alexandre Kantorow (piano)

à la russe

Awards:

an outstanding young artist at work...the early Tchaikovsky Scherzo brims over with panache and relish; and Islamey rivals even Berezovsky for the title of cleanest and most exhilarating account....

à la russe

Alexandre Kantorow (piano)

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Awards:

an outstanding young artist at work...the early Tchaikovsky Scherzo brims over with panache and relish; and Islamey rivals even Berezovsky for the title of cleanest and most exhilarating account....

About

Alexandre Kantorow released his first disc for BIS in 2016, performing Liszt’s piano concertos to critical acclaim: ‘I’m here to tell you that Alexandre Kantorow is Liszt reincarnated’ wrote one impressed reviewer, in Fanfare Magazine. Not yet 20 years old, the French pianist and son of violinist and conductor Jean-Jacques Kantorow now explores his Russian roots, in a recital that opens with Rachmaninov’s weighty First Piano Sonata, inspired by Goethe’s play Faust, and its three main characters, the scholar Faust, his beloved Gretchen and Mephistopheles, the Devil’s emissary. The nostalgic intimacy of Méditation and Passé lointain, from Tchaikovsky’s Op. 72 collection, offers respite from the drama, but tension returns with Guido Agosti’s virtuosic piano arrangement of three extracts from Stravinsky’s Firebird.

Kantorow closes his Russian recital with Mily Balakirev’s ‘oriental fantasy’ Islamey, one of the iconic works of the piano literature. Fiendishly difficult, the piece famously inspired Ravel to write something that would be even harder to play (his Gaspard de la nuit). A committed Russian nationalist, Balakirev himself found the inspiration for Islamey during a journey to the Caucasus when he was introduced to the local music tradition.

Contents and tracklist

I. Allegro moderato
Track length15:19
II. Lento
Track length9:29
III. Allegro molto
Track length14:11
No. 5, Méditation
Track length5:16
No. 17, Passé lointain
Track length4:29
III. Infernal Dance
Track length4:46
IV. Lullaby
Track length4:03
V. Finale
Track length3:31
No. 1, Scherzo à la russe, TH 124
Track length6:46

Spotlight on this release

Awards and reviews

July 2017

an outstanding young artist at work...the early Tchaikovsky Scherzo brims over with panache and relish; and Islamey rivals even Berezovsky for the title of cleanest and most exhilarating account. If Kantarow's Stravinsky and Balakirev show that his fortissimo can shake the chandeliers from the ceiling when he chooses, his Rachmaninov is notably more classical.

8th June 2017

The speed-of-light excursions from one end of the keyboard to another, the density of the writing, and the sheer range of colours (you’ll barely miss the orchestration) which Kantorow conjures from the instrument in the Stravinsky initially had us wondering whether he'd enlisted an extra pair of hands to help out...A recording to treasure.
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