technically the best stereo version in the catalogue ... slow-movement cadenza is rather good, with its hint of the finale theme just before the end ... after the second cadenza in the finale, Jochum brings the 'cellos and basses in with tremendous effect

Schneiderhan’s version is amongst the greatest recordings: the serene spiritual beauty of the slow movement and the playing of the second subject in particular have never been surpassed ... Jochum provides a background tapestry of breadth and dignity