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Tchaikovsky: Symphonies Nos. 4-6

Arctic Philharmonic, Christian Lindberg

Tchaikovsky: Symphonies Nos. 4-6
Rhythms and dynamics are all faithfully observed and backed up by atmospheric playing - strings just short of the fullest-bodied Russian sound, but nimbler...the woodwind have bags of personality...But...

Tchaikovsky: Symphonies Nos. 4-6

Arctic Philharmonic, Christian Lindberg

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2 SACDs

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Rhythms and dynamics are all faithfully observed and backed up by atmospheric playing - strings just short of the fullest-bodied Russian sound, but nimbler...the woodwind have bags of personality...But...

About

Tchaikovsky’s final three symphonies form an emotional roller-coaster ride with the most desperate lows (the first movement of the Fourth) and hectic highs (the Finale of the Fifth) before arriving at the resigned lament that is the closing Adagio of the Sixth. As the composer himself readily admitted, he had little interest in writing ‘abstract’ music – to his colleague and friend Taneyev he wrote: ‘I should not wish symphonic works to flow from my pen that express nothing, and which consist of empty playing with chords, rhythms and modulations.’ This has given rise to numerous speculations and attempts to interpret Tchaikovsky’s works, and especially these symphonies, in terms of events in his personal life. While the fruitfulness of such an approach is debatable, it is certain that the immediate appeal of the music itself has caused these symphonies to become favourites with musicians and listeners alike.

On the present two-disc set, it is Christian Lindberg and his Arctic Philharmonic, based in the far north of Norway, that perform the symphonies. While the recordings of the Fourth and Sixth appear for the first time on disc, that of Symphony No. 5 has been previously released (on BIS-2018) on a disc that earned international praise: ‘a superb performance’ was the verdict of the critic in International Record Review, while the French magazine Diapason accorded it top marks.

Contents and tracklist

I. Andante sostenuto - Moderato con anima
Track length18:03
II. Andantino in modo di canzona
Track length9:48
III. Scherzo. Pizzicato ostinato - Allegro
Track length5:34
IV. Finale. Allegro con fuoco
Track length8:41
I. Adagio - Allegro non troppo
Track length16:24
II. Allegro con grazia
Track length7:45
III. Allegro molto vivace
Track length9:03
IV. Finale. Adagio lamentoso
Track length8:58
I. Andante - Allegro con anima
Track length13:16
II. Andante cantabile con alcuna licenza
Track length12:24
III. Valse. Allegro moderato
Track length6:03
IV. Finale. Andante maestoso - Allegro vivace
Track length12:46

Awards and reviews

April 2017

Rhythms and dynamics are all faithfully observed and backed up by atmospheric playing - strings just short of the fullest-bodied Russian sound, but nimbler...the woodwind have bags of personality...But consistently the best is the most recently recorded, a Pathétique of perfect proportions and plenty of fire which really does deserve to rank among the best.

February 2017

The Fourth is for me the most successful of the three performances, with Lindberg balancing urgency with reflective other-worldliness in the first movement and splashiness with the ineffably wistful in the finale

March 2017

Christian Lindberg isn’t here offering quirky, idiosyncratic performances that are different just for the sake of it. Rather, to coin a phrase he’s “gone back to basics” and in so doing he’s given us the opportunity to enjoy these masterpieces anew. His cause is aided at every turn by committed, accomplished playing from the Arctic Philharmonic Orchestra
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