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Music for a Prussian Salon

Boxwood & Brass

Music for a Prussian Salon
The period instruments blend well in Tausch’s gentle Harmoniemusik, a sequence of perky dances, rondos and slower movements. It’s not the most striking music…[but] it works beautifully

Music for a Prussian Salon

Boxwood & Brass

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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No digital booklet included

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The period instruments blend well in Tausch’s gentle Harmoniemusik, a sequence of perky dances, rondos and slower movements. It’s not the most striking music…[but] it works beautifully

About

Making their Resonus Classics and recording debut is the UK period wind ensemble Boxwood & Brass.

The ensemble’s first recording is based around German composer and clarinettist Franz Tausch, and the two suites of his Op. 22 XIII Piéces en Quatuor for two clarinets, horn and bassoon.

Also included is repertoire from Tausch’s pupils (Heinrich Baermann and Bernhard Henrik Crussell) and an important influence on Tausch’s career, Johann Stamitz.

Released on a CD and in digital formats ranging from MP3 up to 24-bit studio quality master with a full-colour booklet as a PDF.

Contents and tracklist

I. Allegro molto
Track length4:35
II. Adagio
Track length4:11
III. Allegro
Track length2:45
IV. Menuetto & Trio
Track length3:47
V. Andante Moderato
Track length3:09
VI. Rondo Allegro
Track length4:24
I. Adagio
Track length2:03
II. Adagio
Track length2:00
III. Allegro
Track length1:32
I. Adagio
Track length4:23
II. Allemande
Track length3:27
III. Andante
Track length3:24
IV. Polonaise & Trio
Track length5:45
V. Andante Moderato
Track length5:24
VI. Adagio
Track length2:59
VII. Allegro molto
Track length3:32

Awards and reviews

December 2016

The period instruments blend well in Tausch’s gentle Harmoniemusik, a sequence of perky dances, rondos and slower movements. It’s not the most striking music…[but] it works beautifully

3rd February

If you like this kind of repertoire this disc is not to be missed.

Early Music Today May 2017

Boxwood & Brass’s sound is nothing short of revelatory – the variety of textural combinations on display is impressive, and the horns in particular of Anneke Scott and Kate Goldsmith positively purr.
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