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Tishchenko: Symphony No. 8

Chingiz Osmanov (violin) & Nikolai Mazhara (piano), Mila Shkirtil (mezzo-soprano)

St Petersburg State Symphony Orchestra, Yuri Serov

Tishchenko: Symphony No. 8
There are occasional ragged edges in the playing, but more importantly a strong communicative presence under Yuri Serov’s guiding spirit

Tishchenko: Symphony No. 8

Chingiz Osmanov (violin) & Nikolai Mazhara (piano), Mila Shkirtil (mezzo-soprano)

St Petersburg State Symphony Orchestra, Yuri Serov

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
There are occasional ragged edges in the playing, but more importantly a strong communicative presence under Yuri Serov’s guiding spirit

About

Boris Tishchenko was one of the most recognisable and important Russian composers of his time. His studies with Shostakovich – whose mantle as Russia’s leading symphonist he assumed after his teacher’s death in 1975 – proved decisive. Symphony No. 8, one of his last completed works, was written to be performed immediately after Schubert’s ‘Unfinished’ Symphony to which it makes reference. The Concerto for Violin, Piano and String Orchestra is rich in emotional depth, lyricism and dance rhythms while Three Songs to Poems by Marina Tsvetayeva intriguingly fuses popular song with Russian romance.

Contents and tracklist

I. Fantasia
Track length8:38
II. Rondo
Track length6:58
III. Interlude
Track length7:07
IV. Romance
Track length10:33
I. Andantino - Allegro
Track length6:17
II. Andante
Track length5:56
III. Allegro
Track length6:44
No. 1, The Window
Track length1:57
No. 2, The Leaves Have Fallen
Track length2:54
No. 3, The Mirror
Track length2:38

Awards and reviews

February 2017

There are occasional ragged edges in the playing, but more importantly a strong communicative presence under Yuri Serov’s guiding spirit

30th May 2017

It is hard to imagine anyone setting these three poems more successfully since they are perfect in every way; superbly atmospheric, wonderfully tuneful and giving full weight to the words.

The Classical Reviewer 1st February 2017

This is a work of tremendous substance and depth, given an excellent performance by both orchestra and soloists.

Classical Ear 7th February 2017

These dedicated performances are vividly recorded.
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