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Rostropovich Encores

Alban Gerhardt (cello) & Markus Becker (piano)

Rostropovich Encores

Awards:

[Gerhardt] matches [Rostropovich] note-for-note, with a degree of eye-watering finesse that would have surely made his hero smile. The same can be said for the mercurial moto perpetuo of Christian...

Rostropovich Encores

Alban Gerhardt (cello) & Markus Becker (piano)

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

[Gerhardt] matches [Rostropovich] note-for-note, with a degree of eye-watering finesse that would have surely made his hero smile. The same can be said for the mercurial moto perpetuo of Christian...

About

For the young Alban Gerhardt, Rostropovich was ‘a reason to become passionate about the cello’: in the notes accompanying this release he recalls being ‘blown away’ on first hearing Slava play live in Berlin. This splendid follow-up to Casals Encores sees Gerhardt paying homage to his great predecessor with an eclectic programme of shorter works, including two by Rostropovich himself.

Contents and tracklist

I. Presto
Track length1:59
I. Adagio
Track length3:49
II. Variation and Coda
Track length3:09
No 11 in B flat minor. Andante cantabile
Track length4:14
No 07 in C sharp minor. Lento
Track length6:21

Spotlight on this release

Awards and reviews

  • Gramophone Magazine
    January 2017
    Editor's Choice

February 2017

[Gerhardt] matches [Rostropovich] note-for-note, with a degree of eye-watering finesse that would have surely made his hero smile. The same can be said for the mercurial moto perpetuo of Christian Singing’s Presto and the student Rostropovich’s own hilarious, gravity-defying Humoresque (a killer encore)

January 2017

A genuinely thoughtful and engaging tribute recital, and a compelling partner to the Casals.

16th February 2017

Gerhardt’s is an especially apt homage, showcasing the Russian master’s commitment to expanding his instrument’s repertoire and popularity, at the same time as celebrating his sense of fun. It’s not a bad vehicle for the sparky Gerhardt and pianist Markus Becker, either.

Classical Music July 2017

Gerhardt is at his very best here, more than a match for his mentor, ably matched by Becker and with superb Hyperion sound.
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