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Sir Simon Rattle & Sol Gabetta

Recorded live at Festspielhaus Baden-Baden, 2014, directed by Torben Schmidt Jacobsen

Sol Gabetta (cello)

Berliner Philharmoniker, Sir Simon Rattle

Sir Simon Rattle & Sol Gabetta

Awards:

Rattle’s presence can be heard, and felt, in virtually every bar of the score: the way he moulds phrases, nudges details to the fore, bends the line, holds tight to a salient accompanying detail...

Sir Simon Rattle & Sol Gabetta

Recorded live at Festspielhaus Baden-Baden, 2014, directed by Torben Schmidt Jacobsen

Sol Gabetta (cello)

Berliner Philharmoniker, Sir Simon Rattle

Purchase product

Blu-ray

Region: All

$24.50

10+ available: usually despatched in 4 - 6 working days

Awards:

Rattle’s presence can be heard, and felt, in virtually every bar of the score: the way he moulds phrases, nudges details to the fore, bends the line, holds tight to a salient accompanying detail...

About

The Argentinian cellist Sol Gabetta made her Philharmoniker debut at the 2014 Easter Festival in Baden-Baden with Edward Elgar’s Cello Concerto, the final great work of the composer. “Sol Gabetta’s Elgar Concerto is one of the best around, a heartfelt, tonally rounded performance.” (Gramophone). The orchestra and conductor also performed the prelude to Wagner’s Lohengrin, György Ligeti’s orchestral piece Atmosphères and Igor Stravinsky’s Le Sacre du Printemps, a work which is entirely focused on the future and pushes the boundaries of classical music in terms of sound, rhythm and energy.

Sir Simon Rattle and the Berliner Philharmoniker contrasted the prelude to Wagner’s Lohengrin and György Ligeti’s orchestral piece Atmosphères perfectly, demonstrating that they both employ different styles to pursue a similar objective – an iridescent, otherworldly sound.

Star cellist Sol Gabetta gave an outstanding interpretation of Elgar’s Cello Concerto: the final great work of the composer, full of melancholy and a sense of farewell.

In contrast to Elgar, Igor Stravinsky’s Le Sacre du Printemps is focused on the future. In their previous performances, the Berliner Philharmoniker and Simon Rattle have shown that this work, despite its inherent modernity, also provides a wealth of sensual pleasure. “The musicians breezed through the Sacre with ridiculous virtuosity, as laid-back as if it were a mambo on a dance floor on a Caribbean beach.” (Frankfurter Allgemeine Zeitung)

Cross-promotion with Sony’s Sol Gabetta album (Martinů: Cello Concerto No. 1 & Elgar Cello Concerto), which is also to be released on Nov 4, 2016. The Elgar Cello Concerto album audio is identical with the audio on the DVD and as it was also taken from the Baden-Baden live recording.

BD Picture: 1080/60i-Full HD-16:9

BD Sound: PCM Stereo, DTS-HD Master Audio 5.0

Language/subtitles: N/A

BD box lot: 35

Region code: All (A1/B2/C3)

Running time: 94 mins

Production year: 2014

Guide PPD: 15,00 EUR

Spotlight on this release

Awards and reviews

  • Gramophone Magazine
    February 2017
    DVD/Blu-ray of the Month

February 2017

Rattle’s presence can be heard, and felt, in virtually every bar of the score: the way he moulds phrases, nudges details to the fore, bends the line, holds tight to a salient accompanying detail (especially along the lower end of the spectrum) or responds to Gabetta’s characterful solo playing, now rather more stylised than it was before.
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