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Fauré & Poulenc: Aubade

Howard Shelley (conductor & piano)

Västerås Sinfonietta

Fauré & Poulenc: Aubade
Howard Shelley treats both [works] without any sentimental swooning, thereby bringing out the Baroque architecture that underpins their Romantic surfaces…altogether the disc succeeds absolutely...

Fauré & Poulenc: Aubade

Howard Shelley (conductor & piano)

Västerås Sinfonietta

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Howard Shelley treats both [works] without any sentimental swooning, thereby bringing out the Baroque architecture that underpins their Romantic surfaces…altogether the disc succeeds absolutely...

About

British pianist and conductor Howard Shelley features on this new recording with the Swedish chamber orechestra Västerås Sinfonietta, one of Sweden’s oldest orchestras. French music is on the menu – Gabriel Fauré’s “Suite from Masques et Bergamasque” and “Pavanne”, coupled with Francis Poulenc’s “Aubade” and the very suitable “Sinfonietta”.

Contents and tracklist

I. Ouverture - Allegro molto vivo
Track length4:00
II. Menuet - Tempo di minuetto. Allegro moderato
Track length3:00
III. Gavotte - Allegro vivo
Track length3:09
IV. Pastorale - Andantino tranquillo
Track length5:03
I. Toccata - Lento e pesante - Molot animato
Track length2:39
II. Récitatif - Larghetto
Track length1:34
III. Rondeau - "Diane et compagnes" - Allegro
Track length0:53
IV. "Entrée de Diane" - Piú mosso
Track length2:19
V. "Toilette de Diane" - Presto
Track length1:28
VI. Récitatif - "Introduction à la Variation de Diane" - Larghetto
Track length2:02
VII. "Variation de Diane" - Andante con moto
Track length2:16
VIII. "Désespoir de Diane" - Allegro féroce
Track length0:39
IX. Conclusion - "Adieux et départ de Diane" - Adagio
Track length4:57
I. Allegro con fuoco
Track length7:49
II. Molto vivace
Track length5:28
III. Andante cantabile
Track length6:09
IV. Finale - Prestissimo et très gai
Track length6:07

Awards and reviews

Christmas 2016

Howard Shelley treats both [works] without any sentimental swooning, thereby bringing out the Baroque architecture that underpins their Romantic surfaces…altogether the disc succeeds absolutely in its declared intention of showing how, in their different idioms, two of France’s greatest composers dealt with what Debussy called ‘the ghost of old Klingsor’
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