Arcanum: Auerbach & Shostakovich
Kim Kashkashian (viola), Lera Auerbach (piano)
The main attraction is Auerbach’s Sonata, the partnership between viola and piano more equal and richer in potential. Hauntingly beautiful.
Arcanum: Auerbach & Shostakovich
Kim Kashkashian (viola), Lera Auerbach (piano)
Purchase product
The main attraction is Auerbach’s Sonata, the partnership between viola and piano more equal and richer in potential. Hauntingly beautiful.
About
Their first recording together features Auerbach’s arrangement for viola and piano of Dmitri Shostakovich’s often playful 24 Preludes Op. 34, (which the pair introduced to concert audiences in 2013) and Auerbach’s own, darker, Sonata for viola and piano, ‘Arcanum’.
Lera Auerbach says: “‘Arcanum’ means ‘mysterious knowledge’, and I was fascinated by the inner voice within each of us, some may call it perhaps intuition, some may call it may be guided meditation, but there is some knowledge that we have, which we may not necessarily verbalize or rationalize, but that allows us to see the truth, to be guided, to seek answers.” Auerbach wrote her sonata for Kashkashian: “There is a quality of life-or-death-intensity to her performing, which is rare and wonderful.”
Contents and tracklist
- Kim Kashkashian (viola), Lera Auerbach (piano)
- Recorded: 2013-10-05
- Recording Venue: Radio Studio Zürich
- Kim Kashkashian (viola), Lera Auerbach (piano)
- Recorded: 2013-10-05
- Recording Venue: Radio Studio Zürich
Awards and reviews
January 2017
The main attraction is Auerbach’s Sonata, the partnership between viola and piano more equal and richer in potential. Hauntingly beautiful.
February 2017
In seamless collaborations, viola player and pianist contribute nuanced and vital artistry that heightens the varied atmospheres in the Shostakovich and conveys the quiet anguish pervading the Auerbach