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Shostakovich: String Quartets Nos. 5, 8 & 11

Quatuor Debussy

Shostakovich: String Quartets Nos. 5, 8 & 11

Awards:

The Debussy Quartet plays assuredly and expressively throughout, with moments of fizzing energy.

Shostakovich: String Quartets Nos. 5, 8 & 11

Quatuor Debussy

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This release includes a digital booklet

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Awards:

The Debussy Quartet plays assuredly and expressively throughout, with moments of fizzing energy.

About

This recording from the Quatuor Debussy offers a comparative look at teh works for string quartet by Dmitri Shostakovich. The programme features String Quartet No. 5 [1952], No. 8 [1960] and No. 11 [1966]: one from each of the composer's three creative periods, presented in reverse chronological order. The fifth and eighth quartets share a five note motif that also appears in Symphony No. 10.

The Quatuor Debussy were the first signing to new label Evidence Classics back in 2014. Founded by Nicolas Bartholomée, who also created founded Ambroisie, Aparté and Little Tribeca, and Emmanuel Chollet, the creator of label Fiat Lux and ex EMI / Virgin France, Timpani Records and Believe Digital, Evidence is intended to be based on the greatest French and foreign virtuosos but also young talents who will have the freedom to explore many different directories and musical genres.

Contents and tracklist

I. Introduction
Track length2:15
II. Scherzo
Track length2:48
III. Recitative
Track length1:15
IV. Etude
Track length1:12
V. Humoresque
Track length1:03
VI. Elegie
Track length3:40
VII. Final
Track length3:42
I. Largo
Track length4:41
II. Allegro molto
Track length2:32
III. Allegretto
Track length4:23
IV. Largo
Track length5:07
V. Largo
Track length3:52
I. Allegro non troppo
Track length10:38
II. Andante
Track length7:56
III. Moderato - Allegretto - Andante
Track length10:07

Awards and reviews

December 2016

The Debussy Quartet plays assuredly and expressively throughout, with moments of fizzing energy.

November 2016

they sound fully at home with the idiom. If their consensus involves a degree of compromise, there is still no doubting the distinction of much of the playing.
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