Bach & Schumann
Martha Argerich (piano) & Itzhak Perlman (violin)
There is clearly a strong musical rapport…with Perlman the cantabile magician exalting in Schumann’s melodic genius and Martha Argerich restlessly probing – texturally, dynamically and temporally
Bach & Schumann
Martha Argerich (piano) & Itzhak Perlman (violin)
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There is clearly a strong musical rapport…with Perlman the cantabile magician exalting in Schumann’s melodic genius and Martha Argerich restlessly probing – texturally, dynamically and temporally
About
Itzhak Perlman and Martha Argerich have recorded a historic first studio album together: it has been 18 years since their last album together, a live recital from the Saratoga Performing Arts Center. On that momentous occasion in 1998, the pair performed three of the 19th century’s most ambitious and enthralling works for violin and piano – Beethoven’s Kreutzer Sonata, the Franck Violin Sonata and Schumann’s Violin Sonata No.1. The first two sonatas were released in 1999 by EMI Classics (now Warner Classics) in what was the pair’s only recording together until now.
“Working with Martha was a unique experience for me … Her brilliance and the colours she uses when she plays are recognisable as soon as you hear them – it’s her; nobody else sounds like that… I am so excited that we were actually able to record together again… When this possibility came along that she might be able to have a couple of days free to record I said, ‘I’ll go any place!’” Itzhak Perlman
Martha Argerich added: “I feel so stimulated to play with Itzhak, it’s really a feast – fantastic! It’s a very special relationship, I am completely enchanted.”
Contents and tracklist
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Awards and reviews
Christmas 2016
There is clearly a strong musical rapport…with Perlman the cantabile magician exalting in Schumann’s melodic genius and Martha Argerich restlessly probing – texturally, dynamically and temporally
October 2016
The sense of two consummate musicians utterly in love with the music and responding instinctively to each other is palpable throughout…this is the result of two lifetimes of world-class musicianship.
13th October 2016
Argerich’s piano playing is supremely alive, moving under Perlman’s muscular melody in ebbing, tugging waves...Perlman’s tone may be fractionally less sweet than it was nearly two decades ago, but the sense of line in his playing remains supreme, and Argerich’s Bach accompaniments are like a sprung dancefloor underneath him.