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Benjamin Dale: Romance for Viola and Orchestra

Sarah-Jane Bradley (viola)

The Hallé, Stephen Bell

Benjamin Dale: Romance for Viola and Orchestra
The orchestra gives a gentle push and Sarah-Jane Bradley’s viola begins its waltz: graceful, natural, a playful little slide here, a brief flush of vibrato there – just enough to make the phrase...

Benjamin Dale: Romance for Viola and Orchestra

Sarah-Jane Bradley (viola)

The Hallé, Stephen Bell

Purchase product

SACD

Hybrid Multi-channel

$18.00

Available: usually despatched in 8 - 10 working days

The orchestra gives a gentle push and Sarah-Jane Bradley’s viola begins its waltz: graceful, natural, a playful little slide here, a brief flush of vibrato there – just enough to make the phrase...

About

The Hallé and viola virtuoso Sarah-Jane Bradley present a programme of four tuneful and atmospheric scores by British composers of the early twentieth century. Benjamin Dale’s large-scale Romance for viola and orchestra finds him at his most lyrical, while Canadian-born composer Ruth Lomon’s orchestration of Rebecca Clarke’s Viola Sonata is splendidly authentic, emphasising the romantic sensibility latent in Clarke’s piano score. Richard Walthew orchestrated his delightful Mosaic – a succession of eleven encores originally for clarinet and piano – for the celebrated Lionel Tertis, and here Sarah-Jane Bradley revels in its lyrical charm. The Suite in D minor by composer, violist and founder member of the London String Quartet, Harry Waldo Warner, completes the programme, and Sarah-Jane Bradley and the Hallé project this substantial three-movement work with insight and panache.

All tracks available in stereo and multi-channel,

This Hybrid CD can be played on any standard CD player

Contents and tracklist

Awards and reviews

Awards Issue 2016

The orchestra gives a gentle push and Sarah-Jane Bradley’s viola begins its waltz: graceful, natural, a playful little slide here, a brief flush of vibrato there – just enough to make the phrase smile. And while Stephen Bell and the Hallé certainly never get in the way, the quizzical woodwind comments and that discreet but unmistakeable light-music swing show that they’re enjoying this music every bit as much as she is…it’s hard to imagine more persuasive accounts
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