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Bach, J S: Goldberg Variations, BWV988

Angela Hewitt (piano)

The fingers are as formidably on the ball as ever – capable of the most tender translucency, of staccato leaps that ‘ping’, and able to differentiate and characterise several voices simultaneously...

Bach, J S: Goldberg Variations, BWV988

Angela Hewitt (piano)

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The fingers are as formidably on the ball as ever – capable of the most tender translucency, of staccato leaps that ‘ping’, and able to differentiate and characterise several voices simultaneously...

About

Sixteen years have passed since Angela Hewitt’s first, justly celebrated, version of the ‘Goldbergs’. She here commits to record her ever-evolving response to a work which contains the ‘shadowed lesson of the whole world’, and which continues to play a central role in her life as an artist.

Contents and tracklist

I. Aria
Track length4:21
II. Variation 1: a 1 Clav.
Track length1:42
III. Variation 2: a 1 Clav.
Track length1:40
IV. Variation 3: Canone all'Unisuono. a 1 Clav.
Track length2:19
V. Variation 4: a 1 Clav.
Track length1:08
VI. Variation 5: a 1 ô vero 2 Clav.
Track length1:32
VII. Variation 6: Canone alla Secunda. a 1 Clav.
Track length1:56
VIII. Variation 7: a 1 ô vero 2 Clav. Al tempo di Giga
Track length2:02
IX. Variation 8: a 2 Clav.
Track length1:54
X. Variation 9: Canone alla Terza. a 1 Clav.
Track length1:59
XI. Variation 10: Fughetta. a 1 Clav.
Track length1:37
XII. Variation 11: a 2 Clav.
Track length2:08
XIII. Variation 12: Canone alla Quarta. a 1 Clav.
Track length2:35
XIV. Variation 13: a 2 Clav.
Track length5:01
XV. Variation 14: a 2 Clav.
Track length2:11
XVI. Variation 15: Canone alla Quinta. a 1 Clav. Andante
Track length4:49
XVII. Variation 16: Ouverture. a 1 Clav.
Track length2:54
XVIII. Variation 17: a 2 Clav.
Track length2:18
XIX. Variation 18: Canone alla Sexta. a 1 Clav.
Track length1:31
XX. Variation 19: a 1 Clav.
Track length1:41
XXI. Variation 20: a 2 Clav.
Track length1:56
XXII. Variation 21: Canone alla Settima. a 1 Clav.
Track length3:19
XXIII. Variation 22: a 1 Clav.
Track length1:30
XXIV. Variation 23: a 1 Clav.
Track length2:13
XXV. Variation 24: Canone all'Ottava. a 1 Clav.
Track length3:25
XXVI. Variation 25: a 2 Clav. Adagio
Track length8:50
XXVII. Variation 26: a 2 Clav.
Track length2:03
XXVIII. Variation 27: Canone alla Nona. a 2 Clav.
Track length1:52
XXIX. Variation 28: a 2 Clav.
Track length2:15
XXX. Variation 29: a 1 ô vero 2 Clav.
Track length2:31
XXXI. Variation 30: Quodlibet. a 1 Clav.
Track length2:00
XXXII. Aria da capo
Track length2:55

Awards and reviews

Christmas 2016

The fingers are as formidably on the ball as ever – capable of the most tender translucency, of staccato leaps that ‘ping’, and able to differentiate and characterise several voices simultaneously with jaw-dropping felicity

February 2017

A salutary reminder that recordings which one thought couldn’t be bettered, actually can - remarkable

8th October 2016

More than any contemporary player, she manages to suggest the harpsichord’s plucking mechanism with her brilliant articulation — the trills of Variation 16!...her fluency makes the Goldbergs sound easy.

Pianist Magazine October 2016

A perfect recording for her fans
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